Eric Powell started DJing in Manchester, his hometown, in what was to become known as the Summer of Love. He went on to DJ at all of Manchester’s most important clubs including the world famous Hacienda. It was not long before Eric became one of the UKs most sought after guest DJs and in 1994 he took on residencies at the Zap Club in Brighton, at a night called Protection and the Red Club. Both these nights have won awards and much respect throughout the UK. Eric Powell owns and runs for Bush Records, one of the most recognisable and sought after dance labels in the world today.His techno set this March at The Greenwood in Sydney was said to be one of the best DJ sets ever delivered at that venue. Eric has a deep love of dance music and that come across in his passion for House and Techno. This summer Eric went viral featured on a clip from BBC’s and Pete Tong’s Essential Mix, 80,0000 views – so far.

A couple of years after winning the Beatport Breakthrough Award in DJ Mag’s Top 100 DJs poll, ANNA enters the list at No.95. Known to her parents as Ana Miranda, she went from playing to a 1,500-strong crowd at the age of 14 in her home country of Brazil to fronting DJ Mag North America in 2019. New music from ANNA has been huge in festival sets for many world-leading techno DJs all summer. Then there was the richly deserved Essential Mix for the BBC that started 2019 off right, as the Brazilian distilled 20 years of DJing experience into an inspiring two-hour techno masterclass. DJ Mag rightly recognised her talents, putting her on the cover of their North American edition in February, a nod to the breakaway impact she’s had on that region.

Charlotte de Witte’s a Belgian born DJ whose surge on the scene has resulted in her being one of the most sought-after names in electronic music today. Highlight performances across the continents, Mixmag & DJ Mag covers, high-ranking positions in the charts & lists, and owner of one of the strongest social media profiles in music today, confirm her status as nouveaux techno royalty. Acclaimed accolades such as Best Techno at the DJ Awards in 2019 and a high profile residency at BBC Radio 1 are honoring validations of de Witte’s hard work. However it’s her everlasting pursuit to push her boundaries and those of electronic music, that drives her.

After almost three decades of performing in over 150 countries around the world, restlessly producing music, running several labels including the legendary CLR imprint and hosting countless weekly radio shows - AMFM radio show currently broadcasts on 44 stations in 28 countries worldwide and reaches around 5 million listeners every week, things have come full circle for Chris Liebing. The Frankfurt/Germany based ambassador for uncompromising, unpolished techno keeps on traveling the globe on a never-ending tour, while at the same time releasing very personal, emotionally articulate electronic music on his all-time favourite label Mute Records. ~ Soundcloud

Enrico Sangiuliano is a name you will have noted if you have been anywhere in the electronic music scene for the last few years. Starting out as a sound engineer in Italy, he started to produce electronic music in the ’90s. Italy was his playground, with the illegal rave scene exploding, this was where he made his first break. International recognition came in 2015 with his remix of DJ Boris’s “Can You Hear Me” on Alleanza, claiming the title as Beatport's highest selling techno track. ~ Soundcloud

Jamie Jones is a Welsh DJ, producer and two time DJ Awards winner. A modern-day example of a powerhouse in the music industry; as well as his own productions on a multitude of dance labels, he co-founded the globally successful label Hot Creations and launched the conceptual party Paradise, hosting events the world over including an eight-year residency at DC-10 in Ibiza. A highly respected DJ/producer that pioneered a new genre of house music, Jamie has a dedicated fanbase, hard-working ethos, and a solid team behind him that's been there since the beginning; with such a striking presence in the house and techno scene for the last decade, his entry into the Top 100 DJs poll is long overdue. Next year the Paradise Ibiza residency will launch in Amnesia for the first time, with a new theme — ‘An Age Of Love’. The terrace is a dancefloor that holds many nostalgic memories for Jamie, and we’re sure there will be many more moments to come following his legacy at DC-10. ~ DJMag

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

999999999 -officially started in July 2016 and already affected the most important clubs and festivals all around Europe. They aroused much interest even outside the continent becoming one of the most requested live acts of the techno scene. First three releases on their label "Nine Times Nine" and their appearance on Planet Rhythm special "303" vinyl release were immediately sold out after few hours. Live is what they are whether in or out of the studio, they are spontaneous. Improvisation with hardware is the key element of their performance and is impossible to replicate.

Adam Beyer is a Swedish techno producer and DJ. He is the founder of Drumcode Records, and is one of several Swedish techno artists to emerge in the mid-1990s, along with Cari Lekebusch and Jesper Dahlbäck. Adam Beyer’s music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer’s focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer headlining cutting edge clubs and festivals week-in-week-out. Adam is also one of the most acclaimed production talents on the scene and has consistently delivered cutting edge music across his 3 labels – Drumcode, Truesoul and Madeye. Over the years he has also built up a highly prized roster of talent on the labels and his meticulous ear for quality productions is highly renowned.

London-based DJ, producer and label owner. Moscow Records // Moss Co. // Arkityp // FUSEArchie Hamilton

Avalon Emerson is from the desert. While she currently lives in Berlin, the music she produces comes from the dreamlike expanse and abstract textures of the Sonoran landscapes of Arizona. Her journey has taken her from that sunbaked state to the contemporary dance music mecca via a long stint in San Francisco, where she cut her teeth as a DJ in the city's storied warehouse party scene. In her DJ sets and productions now, she offers a timeless narrative that reflects a passion for the sound design of new wave, the futurism of techno, the soul of American house and the exuberance of rave. Though she's built up steam in 2015 from multiple sets at Panorama Bar, and globetrotting all around Europe and North America, she's just getting started, and continues to outdo herself with original productions released on labels like Shtum, Spring Theory, Icee Hot, and her own DJ tool edit pool, the Cybernedits series.

Born in 1981, Boris Brejcha started his musical education in his childhood. His first two releases in 2006, “Monster” and “Yellow Kitchen” were released on the Berlin label Autist Records. A few EPs later, Boris moved from Autist Records to Harthouse. With tracks like “Die Maschinen Sind Gestrandet” and “Lost Memory”, he combined his unique sound with a maximum of varieties. Consequently, he became the “exceptional Talent 2007” in the electronic music magazine Raveline. Boris also created his second alias called “ANNA” in 2007 and had some groundbreaking releases on Autist Records. After four years of touring, three albums and lots of singles, Boris became a constant favorite in today's club scene. With his ambition and desire for new and experimental musical directions, he shows his audiences over and over again how exciting minimal techno can be - so much more than just a conglomerate of repetitive and puristic elements. ~ borisbrejcha.de

Danny Teneglia was born in Brooklyn, New York, where he stayed until his move in 1985 to Miami Florida. Danny’s first gigs in New York include the Roller Palace, on of the first roller discos in Brooklyn, Stix and Crisco Disco. In Florida, Danny was a..Danny Tenaglia

Eric Prydz stands alone in his ability to mix commercial success with underground notoriety. As well as triumphing in the charts, the Swede has also always been held in high regard by an adoring underground scene. His careful and smart approach of releasing certain tracks under different pseudonyms, on his own labels, has enabled him to achieve a kind of success that has never been seen before or since. Bringing in fans from across the board, Eric Prydz truly reigns as king of dance music.,The talented Stockholm DJ runs three separate record labels, each responsible for the more underground music that leaves his bustling studio. His Mouseville imprint has seen Prydz produce under the alias Cirez D, releasing harder and more upfront techno tracks to great acclaim. Knockout, the biggest selling EP from the label epitomises the Mouseville ethos with its succinct nod to the Swedish underground.

British deep/tech-house DJ and producer Daley Padley has achieved a remarkable amount of success under the name Hot Since 82. His tracks are energetic and a touch dramatic, yet smooth and not over-produced, and perfectly tailored for clubs and dance festivals. After collecting some of his initial singles and remixes as Hot Since 82 on the 2013 full-length Little Black Book, Padley founded Knee Deep in Sound in 2014 and continued releasing singles and mix CDs on the label, as well as others such as Truesoul and Moon Harbour. ~ AllMusic

For DJ and producer Ilario Alicante, all recent successes come down to one thing: he started clubber, still considers himself a clubber, and he will always maintain that vital link with the dancefloor. Ilario’s rise has been nothing short of meteori..Ilario Alicante

One of the industry’s most exciting breakout talents, La Fleur is blazing a trail impossible to ignore. From her highly lauded collaboration with Sasha ‘Förbindelse’ that scored an Essential New Tune, to her stunning debut on Kompakt’s Speicher series ‘Tears’ and the relaunch of her Power Plant label with the exquisite ‘Aphelion’ EP, her elegant take on house and techno continues to captivate. The former Mixmag breakthrough artist is in high demand for her DJ skills, buoyed by a critically acclaimed Essential Mix last summer. Recent and upcoming gig highlights include Sonus Festival, Tomorrowland, Melt! Festival, Junction 2, Ultra Music Festival Miami, Resistance Ibiza, Lollapalooza Stockholm, Fusion, Creamfields, Loveland, Warehouse Project and the tastemaker favourite Department Festival on home soil in Stockholm. ~ Artist Official Bio

Spain-based producer Eric Estornel initially reserved the name Maceo Plex for his festival-friendly house productions before gradually taking the project into a darker, more introspective direction. After establishing himself in the techno world for his work as Maetrik beginning in the early 2000s, and exploring more abstract electro and IDM as Mariel Ito around the middle of the decade, he began releasing some of his most accessible tracks under the Maceo Plex handle starting in 2009. Over the course of the following decade, the project evolved from deep, sexy house with prominent Chicago and Detroit influences (such as on debut full-length Life Index) to a significantly more dramatic sound (particularly the ambitious Solar). In addition to releasing singles and full-lengths on well-regarded labels such as Crosstown Rebels, Kompakt, and Minus, Maceo Plex has mixed volumes of the DJ-Kicks and Fabric series. ~ AllMusic

Michael Bibi has fast become an established member of the Underground Music scene. The London based new kid has honed is craft between countless hours in the DJ Booth & Locking himself away in his South London studio curating the world wide recognised sound & brand that is 'SolidGrooves'. Bibi is more than just your average Producer/DJ. Playing Music, Making music & a love for the party scene are the three sole things that motivate the SolidGrooves 'Head Honcho', he will not let anyone or anything come between him and making sure that his unique stamp is on every piece of music released & party put on under the brands name.

Mind Against is a Berlin-based electronic music duo consisting of Alessandro and Federico Fognini.,The project is born in 2011 and in 2012 they recorded and released their first record “Cagliostro” on breakthrough label Life and Death.,In 2012 the duo have also composed remixes for WhoMadeWho, Róisín Murphy and PillowTalk, some of which in collaboration with label-mates Tale Of Us, on labels such as Kompakt, Cocoon and aforementioned Life and Death .,While heavily influenced from IDM and with clear roots in techno and house, in most of cases their sound can not be easily related to an established genre.,Mind Against’s debut EP “Atlant” has been released on 29 July 2013 via Life and Death as 12" vinyl and digital download.

Already one of the best-known eastern European techno/house DJs, Nastia’s star is firmly in the ascendancy globally. Her style is to an extent adaptable but she has a sound that is unmistakably her own. The last three years have been a whirlwind of gigs for Nastia. Her twilight techno, melancholic minimal, stripped-down ghetto funk and sustained house have been wowing crowds all around the world. She’s recently signed to the prestigious agency Bullitt DJ so her travellings are going to be even further afield every week. ~ Soundcloud

Nicole Moudaber is an event promoter, record label founder, radio host, and one of the most passionately followed DJ/producers in the world. In-demand all over the world, Moudaber has played everything from intimate after-hours clubs; to revered nightclub institutions like Space, DC10, Fabric, Output and Stereo; to massive festival stages, including Glastonbury, Electric Daisy Carnival (hosting her own MoodRAW stage), and two appearances at Coachella. She’s been featured by the New York Times and CNN, named “one to watch” by Billboard and Paper magazine, and has graced the cover of electronic music magazines in several countries. Her weekly award-winning radio show In The MOOD is syndicated to over 80 FM stations in over 50 countries, commanding over 20 million listeners worldwide. Nicole supports NYC’s Lower Eastside Girls Club, which helps disadvantaged young women pursue their passion for music, and she is an Ambassador for the Association For Electronic Music (AFEM). ~ Deezer

Peggy Gou is a South Korean-born DJ and producer based in Berlin. During the 2010s, she became internationally renowned for energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like a throwback. ~

Formed during 2002 by three musicians from Western Australia with similar visions and musical backgrounds, Pendulum’s mission has always been to pull together their production resources, ideas and influences from various styles of music, to create a new sound that they felt was missing from dance music. The individual members behind Pendulum had been active in Perth’s live music scene for several years: producer / vocalist / keyboardist Rob Swire and producer / bassist Gareth McGrillen played together in the acclaimed Perth band Xygen, while Paul ‘El Hornet’ Harding was a veteran of the Perth DJ scene.

As far back as the early '90s, Ricardo Villalobos began building an impressive discography of 12" releases on respected dance labels like Playhouse and Perlon, and around the turn of the decade he was one of the most revered producers and DJs in dance music. In his youth, the Chilean-born Villalobos moved with his family to Germany in order to avoid the military dictatorship of Pinochet, and he eventually fell in with the country's fertile house community. A minimalist at heart, he trotted the globe to study percussion in order to apply his knowledge to his productions, which almost always sound remarkably expansive despite their simplicity. In addition to his own solo material, he has recorded with fellow expatriate Dandy Jack as Ric y Martin and with Luciano as Sense Club; additionally, he has taken part in Markus Nikolai's Hombre Ojo project. ~ AllMusic

Having spent his formative years experiencing the electronic music scene from many different angles; first as a raver, music fan, promoter and finally DJ and producer, Richy Ahmed is....Richy Ahmed

Seth Troxler is one of electronic music’s most instantly recognisable characters. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur, Descended from a family of cowboys and Baptist preachers, he’s part African-American, with a singular approach to viewing the world through the prism of contemporary music culture. ~ Soundcloud

Stephan Bodzin has been a hugely influential figure within the global techno scene for years. The reason the German has endured where many had fallen by the wayside is because of his devotion to authenticity. “Without it, everything would appear to be nothing more than a hollow shell,” says the son of an experimental musician who is now a revered talent in his own right. After starting out by composing music for several prestigious European theatres, Stephan Bodzin soon fell in love with nocturnal club sounds and began producing his own brand of techno. He impressed right from the off and has gone on to work with Oliver Huntemann under myriad aliases including Rekorder or with Marc Romboy including on albums like “Luna” and more recently “Kerberos & Styx” in 2014. As a solo producer Stephan Bodzin have defined the modern techno scene and has amassed an enviable discography that takes in established labels. ~ Official Website

From politically incorrect prog-rock to funky r&b, from trendy hiptrop to banging German techno, ja: if it gets a booty going, the Dewaele brothers have it in their record collection. In times where moms give their sons and daughters DJ-courses for their birthdays and bootlegging has become an Olympic sport, it is nice to see a record that sets a new standard in the genre of mix-albums: ‘2 Many DJ’s’ from Belgian groove-gurus Soulwax. Fans of quality left-of-centre rock music will know Soulwax from their highly acclaimed album ‘Much Against Everyone’s Advice’, which made it into the British Top 40 and got rave responses in Japan and Australia. But there’s much more to the two brothers than meets the eye. Apart from being chairman of the Belgian Carpenters Association (Stephen) and having a black belt in tae kwon do (David), they are also masters in blending the finest products of music history together into a catchy, hilarious and -above all- intriguing groove exploration. From politically incorrect prog-rock to funky r&b, from trendy hiptrop to banging German techno, ja: if it gets a booty going, the Dewaele brothers have it in their record collection. Blending beautiful tunes is far from new for the Soulwax brothers. Back in the dark days of 1999, David and Stephen started a DJ-show on Belgian national radio, called ‘Hang The DJ’, where they did exactly that. Years before bootlegging reached the trendy pages of The Face, they were already making their own mixes for inclusion on the show. Inspired by the philosophy of one Grandmaster Flash, they cut together the best bits of funky tracks into an even funkier mix. It was then that classic mixes of Blackstreet with Grandmaster Flash, Beck with Prodigy and Beastie Boys vs. Herbie Hancock with INXS vs. AC/DC saw the light of day. Praise the Lord. After having wooed Belgian and Dutch crowds for a few years with these eclectic sets, they went on to impress the most cynical part of the world, the London scene, a loud yet harmless species. The British capital, where approximately 67% of the population (including 17% of women over 65) owns two decks and a mixer, is used to a thing or two, but Stephen and David immediately raised quite a few eyebrows with sparkling sets for London’s independent radio station Xfm, national institution BBC Radio 1 and appearances at the renowned Trash nights in London and Arthur Baker’s Sunday Sessions in The Elbow Room. Impact on the trendometer: a fat 9.5. “When we played our first set for Xfm”, says David, “several club owners phoned up during the transmission to ask us to come and play their venues.” And when an (unnamed) DJ played Soulwax’s classic bootleg mix of Skee-Lo’s ‘I Wish’, Survivor’s ‘Eye Of The Tiger’ and The Breeders’ ‘Cannonball’ at a London club night and pretended he was mixing it himself, it became official: Soulwax was hot property. Even Jarvis Cocker showed his appreciation for their skills and none other than über-producer Felix Da Housecat invited the brothers to collaborate on his new project: a girlband called Glamarama. You gotta believe it… No surprise then that ‘2 Many DJ’s’ has been in the pipeline for yonks, but because getting tracks cleared is a legal war zone, it has taken quite a bit longer. “Mick Jones from The Clash was very impressed with our bootleg version of their ‘The Magnificent Seven’ mixed with Basement Jaxx’s ‘Romeo’”, explains Stephen, “but still we didn’t manage to secure the rights to include it on the album”. Rumours that two lawyers have been decapitated since are unconfirmed. Too bad, but there’s more than enough magic material to keep you intrigued, smiling and shaking. The record includes already renowned mixes like Destiny’s Child’s ‘Independent Women’ with 10CC’s ‘Dreadlock Holiday’ and Stooges’ ‘No Fun’ with Salt ‘N’ Pepa’s ‘Push It’, but it also features new beautiful blends like Röyksopp’s ‘Eple’ with Dolly Parton’s ‘Nine To Five’ and Basement Jaxx’s ‘Where’s Your Head At’ with Emerson Lake & Palmer’s ‘Theme From Peter Gun’. Tongue-in-cheek is the first thing that springs to mind when reading these names, but if you peel off the first, obvious layer, you have to admit that these ‘cheesy’ mixes actually do work. Mixing 45 songs together in one hour of music is one thing. But making that hour a consistent exploration of the history of pop music is quite another. ‘2 Many DJ’s’ makes you laugh, yes indeed, but it also covers left, right, top and bottom of groovy pop. Some of the tracks on this album are obvious classics, some are simply unknown and some will very soon become hot sought-after gems. From Japanese geisha Hanayo covering ‘Joe le Taxi’, 21st century proof electro from Adult., Finnish disco from Ural 13 Diktators or sleazy Peaches to classics from The Velvet Underground, The Breeders, The Residents, Sly And The Family Stone and Nena. They’re all there for a reason. ‘2 Many DJ’s’ proves that ‘genre’ has never been such a naff word.

Above & Beyond, or Jono, Tony and Paavo as they are better known to their legions of fans around the world, have been at the forefront of electronic dance music for two decades. Founders of the iconic Anjunabeats and Anjunadeep record labels and hosts of a weekly radio show, that reaches millions of dance lovers every Friday (Group Therapy), the trio have earned two GRAMMY™️nominations for anthems 'Northern Soul' feat. Richard Bedford and We're All We Need feat. Zoë Johnston. In 2018, the band’s fourth electronic album, Common Ground, debuted at number three on the Official Billboard Album Chart. Described by UK music bible Q Magazine as “the world’s biggest cult band”, Above & Beyond's enviable list of sold out shows includes headline performances at historic venues like Madison Square Garden NYC, The Hollywood Bowl, The Sydney Opera House, Royal Albert Hall London, Red Rocks Amphitheater and record-breaking turnouts for their own festival events on LA's Huntington Beach and at The Gorge Amphitheater.

Modest from his core, yet exceptionally passionate when it comes to performances and creating music, Adaro is unquestionably one of the most ambitious artists within the Hardstyle genre. As a DJ, Adaro has the look and feel of a true entertainer–his undying energy and widespread knowledge of music are just some of his greatest assets on stage. Adaro’s sound can be simply described as a sophisticated and diverse approach to Hardstyle, as this pioneer thrives on blending in a range of different sounds and influences. With his taste ranging from melancholic melodies right up to underground, hard-hitting tracks, Adaro loves to create energetic Hardstyle under a broad spectrum.

Grammy award winning DJ and producer, Afrojack, is one of most notable and iconic names in electronic dance music (EDM) today. At only 26 years old he has made a large impact on the music industry and is a key player in the worldwide explosion and popularity of EDM. In 2013, Forbes magazine crowned him as #7 on ‘The World’s Highest Paid DJs List’ and this year The Hollywood Reporter called him ‘’a global icon’’ set ‘’to conquer the world.’’ A talented producer and artist Afrojack is versatile and creative with his sound whether creating club hits or producing and remixing for the likes of Beyoncé, Pitbull or Madonna. Afrojack is adept at shifting between genres and playing with his sound and it’s easy to see why his skills are some of the most sought after in the world.,Starting off in his hometown of Spijkenisse, Nick van de Wall aka Afrojack, quickly made a name for himself with a slew of hard­-hitting underground releases, before exploding on the music scene in 2011 with the release of ‘Take Over Control’ -­ an instant worldwide club and chart hit the single reached platinum status in the U.S. Afrojack then went onto develop his own imprint in the production world with his label ‘Wall Recordings’ – a platform by which other passionate EDM artists could grow. He also wanted his label to retain the ‘club music’ brand, something he strives for with every Afrojack release. 2011 also saw Afrojack sign a landmark deal to become one of the first ever DJ’s to sign an annual residency in Las Vegas, at the legendary Wynn Hotel. The residency saw Afrojack perform over a dozen times a year at Wynn clubs including Encore Beach Club, Surrender, Tryst and XS.,From there the success continued; as well as making club hits and collaborating with the likes of David Guetta (co-writing and producing the worldwide smash ‘Titanium’), he also began to team up with and write for A­-list pop artists around the world, including Madonna and Chris Brown. In 2011, he co-wrote and produced ‘Give Me Everything’ for Pitbull and Ne-Yo, which to this day has sold more than 8 million copies worldwide and reached #1 in the US Billboard Hot 100 Charts. Not to mention his production work for Beyonce’s ‘Run the World (Girls),’ his Grammy nominated remix for Leona Lewis’ ‘Collide’ and his 2011 underground track ‘Rock The House,’ which topped the Beatport dance music charts after just three days. The same year he headlined both EDC (Electric Daisy Carnival) NY & Las Vegas to over 300,000 people, as well as UMF (Ultra Music Festival) in Miami, Tomorrowland (in Belgium) and Coachella (LA) in addition a colossal 40 city ‘Jacked’ tour of the United States, all packed into 2012.,Last year got off to a monumental start when Afrojack signed an exclusive worldwide deal with Island Def Jam, Island UK and Universal Music Group. The deal saw Afrojack’s talent be recognized and supported by the renowned music label. The first project from the partnership was ‘The Spark’, a single that fused EDM and pop and showed a new sound for Afrojack as an artist. The year continued to be another huge one for Afrojack. For his fourth consecutive year he returned to headline Creamfields and at the Ultra Music Festival and Tomorrowworld, he debuted his own ‘Jacked’ stage showcasing his Wall artists. He also found time to shoot a documentary web-series, ‘March of the Afrojack’, which gave fans an insight into the real person behind the Afrojack moniker. The series was released on the Rolling Stone website and saw Nick share many intimate moments and thoughts from his journey on the road along with his personal mantra “If I can do it, you can do it too.”,In late 2013 Afrojack made history as he became the first DJ to ring the closing bell at NASDAQ Stock Market Exchange in New York, as electronic dance company, SFX, went public. This also came in the same week as Afrojack cemented his hands into the Hollywood Walk of Fame, the second DJ to ever do this and in doing so reinforced his position as a global music icon.,2014 is set to be another milestone year for Afrojack as he releases his second single ‘Ten Feet Tall’, starts a new DJ residency at Las Vegas hotspot Hakkasan and releases his debut album with Island Records. This spring he returns to Miami as headliner on the Ultra Music Festival and to give his loyal fans a first taste and preview of his highly anticipated album set for release this May.,Given Afrojack’s immense popularity and influence on the music industry it is no surprise that many corporate brands have flocked to him for brand partnerships. Afrojack recently announced a partnership with globally celebrated fashion label ‘G-Star Raw’ for his own line of Afrojack inspired designs that will be sold worldwide. He was also sought out by leading gaming company, Razer, to be a brand consultant on the development of future products. Further, this January saw Nick’s latest single, ‘Ten Feet Tall’, premiere as a part of Bud Light’s new commercial during the Superbowl.,Afrojack has built a global brand that is recognized for influencing attitudes and championing new levels of change for the music world. It is clear from his exponential growth that there is no stopping him and at only 26 years old this is just the beginning…

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer.

Alessandro Renato Rodolfo Lindblad, commonly known by his stage name Alesso, is a Swedish DJ and record producer. The EDM giant’s production prowess is near-universally known. Over the years he’s worked with legends like Calvin Harris, Usher, David Guetta and Sebastian Ingrosso, and headlined major events like Coachella, Electric Daisy Carnival, Creamfields, and Tomorrowland. He’s even been memorialised in the popular video game Payday 2, when players rob a vault during an Alesso concert.

Amelie Lens has risen rapidly through the European techno ranks over the past couple of years. She’s now consistently high up the bill (if not topping it) at events like Awakenings, DGTL and Ibiza staples DC-10 and Hï, and this year debuts in the Top 100 DJs poll. The Belgian’s Lenske label has simultaneously gone from strength to strength, building its name around the five-person crew of AIROD, Farrago, Milo Spkyers, Ahl Iver and Lens herself. Granite-tough techno is the name of the game; epic vibes suited to the cavernous hangars Lens fills on a regular basis. And with its newest addition — Lens’ ‘Higher’ EP — the label has now dropped 13 releases in just two years. ~ DJMag

If you had to melt down the appeal of Anastasia Kristensen to just two words, it could well be ‘energy flash’. There are a few reasons it’s a snug fit: for a start, the immediate associations are smoke and strobes, lasers and lights, big-league rave bliss and barely-marshalled sonic chaos; that is to say, maximum fun from a dancefloor perspective, something Kristensen keenly channels as a DJ. The character she exudes as a person, and not just a playlist-for-hire, mirrors it too: a whirlwind in the booth, it’s rare not to see her wide grin glinting through a motion blur of fader tricks, sashaying and vigorous air drumming. There’s also the perfection of imperfection in a flash of energy, a sense of freedom in the face of stultifying codes and norms. Kristensen embodies this, giving the best show of herself in any given point of time without being performative or buttoned-up. It makes for a refreshingly authentic and human to her burgeoning career in music, a gift that makes curious onlookers instant fans.

Andrew John Clarke is a British DJ and record producer and is co-founder of RAM Records, a pioneering label in the drum and bass genre. Andy C was a DJ in his own right but gained a strong reputation and more bookings off the back of the successful "Valley of the Shadows" track, an early drum and bass track that walked the line perfectly between hardcore and drum and bass just as the genres were starting to split. The track, created and released by Origin Unknown (made up of Andy C and Ant Miles)—often referred to as "31 Seconds" or "Long Dark Tunnel" because of the samples it incorporates—made use of a heavy bassline, bell samples and a rolling drum track to produce a popular, easy to recognise track that was easy to mix and became a favourite in dance floors at raves across the UK and beyond. The track was released as an EP in 1993[7] and has been remixed and re-released several times, and is widely recognised as one of the most influential drums and bass tunes of the early 90s.

New York City based Grammy Award nominated DJ/Producer/Remixer Produced multiple top 40 hits on the UK pop charts including “U Don't Know Me” (UK pop charts #1), Dizzee Rascal & Armand Van Helden “Bonkers” (UK pop charts #1), Duck Sauce “Barbra Streisand” (UK pop charts #3), “Koochy” (UK pop charts #4), “My My My” (UK pop charts #12), Armand Van Helden & A-Trak Present Duck Sauce “aNYway”, “I Want Your Soul”, “NYC Beat”, “Flowerz”, “Hear My Name”, “Why Can't You Free Some Time?”, “Ultrafunkula”, “Witch Doctor”, and “Funk Phenomena”

Artbat, the Ukranian duo of Artur & Batish, are currently among the most successful Ukrainian electronic acts and enjoy global recognition. Over the last couple of years, the two experienced deejays and producers from Kyiv have completed a rewarding transition from the debut release to this summer performing at the Destino and Pacha, Ibiza. The key to Artbat’s success lies within their powerful and inventive sound of the highest quality. Their tracks have an impressive capacity to fuel both intimate dance floors and huge arenas with energy and drive. It’s for these very reasons why many renowned artists are attracted by Artbat’s music. Such dance music authorities like Solomun, Maceo Plex, Richie Hawtin, Dj Hell and many others are now regularly spinning Artbat’s tracks during their sets. From starting at mid-2015 more than 12 releases came out already in different genres.

̸ BIOGRAPHY Hi, I'm Barry and I Can't Swim Edinburgh-born, London-based electronic producer and DJ making a name with his signature sound of jazz-inflicted dance music. Taking samples and inspiration from all over the world, his records have been released on labels such as Shall Not Fade and Ninja Tune, earning support from the likes of Denis Sulta, O'Flynn and Armand Van Helden. Barry brings the tunes and groove to every party, with his DJ sets at Printworks, Fabric, Warehouse Project and Mixmag's Lab all full of feel-good moments. Expect house, piano, melodic, euphoric, energetic, along with plenty of Barry's own IDs slipped into the mix...

Before they met (at a Thames riverboat party organized by Buxton), Ratcliffe grooved to the deep Latin funk of War and George Duke while Buxton was turned on to Chicago house. The pair formed Atlantic Jaxx Records in 1994, and were undoubtedly honored..Basement Jaxx

In 2007, two friends decided to join forces, one DJ and one producer, both sharing great passion for house music. Marlon Flohr and Ralph van Hilst had not foreseen what was to come when they started their collaboration. Marlon was mainly DJ-ing and playing house music, when the idea came to push Ralph’s productions in a direction where Marlon could play the tracks in his sets.After first getting noticed by Fedde Le Grand, releases and remixes followed which received massive support by all the top global DJ’s. heir big break came in 2011, when “Mush Mush” got picked up by Tiesto and released on his imprint Musical Freedom. It dominated the Beatport top 10 for over 2 months and grew to be one of the biggest club/festival tracks of 2011. Since then Bassjackers have remixed for A-list artists like Rihanna, Enrique Iglesias and Moby and played in clubs from Ibiza alongside Tiesto, to Las Vegas alongside Afrojack, and continue to tour around the globe with a recent emphasis on North America.

Berlin born DJ, producer and label owner Ben Klock is without a doubt one of the most significant characters in techno’s recent history. A resident at Berghain since its opening in 2004, he has been able to leave his mark on the club’s unique sound, in turn the special space influenced Klock’s approach as a DJ and producer as well. Playing techno sets full of hypnotic, deep and heavy grooves, releasing records on Ostgut Ton and last but not least the aesthetics of his own label Klockworks (founded in 2006), have earned him an excellent international reputation over the last few years. Supported by stringent and enthralling tracks, remixes for such diverse artists as Kerri Chandler, Martyn or Depeche Mode, the revered debut album “One” on Ostgut Ton and his Berghain mix, Ben Klock’s name is synonymous with the vitalization of an essential definition of techno.

Bicep is an electronic music production and DJ duo from Belfast, Northern Ireland, consisting of Andrew Ferguson and Matthew McBriar. Bicep was formed in 2009 as a production and DJing pair in London, UK. The duo, childhood friends, created a blog called "Feel My Bicep", which was used to post lost and forgotten disco, Chicago house, Detroit techno and Italo disco edits. They released tracks on labels Throne of Blood, Traveller Records and Mystery Meat before joining Will Saul's Aus Music and setting up their own label Feel My Bicep in September 2012. That year the pair were awarded DJ Mag's 'Best of British Breakthrough DJ' award. In 2014, the pair moved into a new studio in Shoreditch. A year later, the duo performed live for the first time at the AVA festival in Belfast, which was recorded by Boiler Room. After signing to Ninja Tune in 2017, Bicep released their long-awaited debut album Bicep, which went in at number 20 in the UK Album Charts on its release and received critical acclaim.

Considering his meteoric rise to fame, it would be easy to stereotype Black Coffee as just another black diamond, a BEE beat magnet out to mine the insatiable upwardly mobile urban house-party market. But as he proved on his South African Music Award-winning album Home Brewed, this DJ and producer defies convention. Sidestepping Afro-house clichés and stage-managed highs in favour of restrained sophistication, Black Coffee’s penchant is for true Afropolitan house: home-brewed but trendsetting, fashion-conscious and future-focused. Expect almost sculptural balance and beauty.

BLOND:ISH is a DJ. Producer. Promoter. Record label head. Environmental activist. Serial Collaborator. Spiritual seeker. Energy Worker. Brand boss. And just about everything in-between. Whether she's operating in 80s disco, afro house or psychedelic techno mode, performing at mega festivals or destination day clubs beside the sea, her expert selections are always fun, positive & beautifully rhythmic. Hers is an esoteric sound designed to heighten the senses and ultimately to inspire.

Simon Green aka Bonobo is back with his sixth album – the masterful, magisterial “Migration” – is a record which cements his place in the very highest echelons of electronic music and beyond. By turns lush, manic, beautiful, melancholy, joyful, packed.. Bonobo’s last album, “The North Borders”, went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support, his 12-piece collective (over an 18 month period) played 175 shows across four continents and 30 countries, wowing a total audience of around 2 million people. In fact, Songkick reckoned him to be amongst the most travelled artists on the planet that year. The tour included two sell outs at the Sydney Opera House, an all-day festival at the Roundhouse culminating in a sold out show at Alexandra Palace (10k cap) plus a number of high profile festival slots. Over the course of five albums for the legendary label Ninja Tune, a myriad of tours, singles, remixes and production work for other artists, Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man. Most recently, Bonobo curated an international series of Outlier events including a sold out all day festival at Tobacco Dock in London and further parties in Berlin, Madrid, Paris and New York. After the epic North Borders tour, Bonobo relocated once again, continuing his gradual move westward by laying down roots in Los Angeles. He had spent almost three years out on the road with no fixed home and on returning to New York, he found it a “noisy, stressful environment” and decided to try the other coast. All this – both the monumental live and DJ tours and his new home in a city full of people from somewhere else – has fed into what makes “Migration” such a special record. Drawing on both a new interest in found-sound and the “euphoric, spiritual moments” he experienced when playing his all-night DJ sets at his Output residency (where many of “Migrations” tracks were road tested) in New York and his Outlier events around the world, Green has placed the unstable, the heartbreaking, the often beautiful migratory life at the core of how he understands humanity, and hence how he understands music. Migration is to him, “The study of people and spaces,” he expands, “It’s interesting how one person will take an influence from one part of the world and move with that influence and effect another part of the world. Over time, the identities of places evolve.” It’s also true that the person will be changed. Green’s newest work is itself a statement of this change and growth.

As a represent of Dutch dance industry, Brennan Heart is one of the leading brands in international hardstyle music. Brennan Heart (real name: Fabian Bohn) has an impressive track record as a DJ and producer with over 100 releases. He's known for his unrestrained efforts and perseverance, constantly improving his skills and studio setup. He experimented with several styles of music like techno, hardtrance and techtrance, before focussing on hardstyle and establishing his own universal sound. Hardstyle is not only about the quality of beats; the songs, melodies and vocals are important elements of the evolution of the genre. Brennan Heart is a pioneer with this sound; with a track like 'Just as Easy', he started a new episode for hardstyle music and opened the door to a new audience. He's also a pioneer for exploring new territories and cities, bringing him all over the world to serve his worldwide fanbase.

Mike Di Scala and Dave Whelan are CamelPhat, a British electronic duo traversing various styles of deep house and techno. Formed in 2008, the pair put out a number of digital EPs and singles via Vice and Nervous Records before signing to Dutch EDM label Spinnin' Records in 2014. Enjoying chart success in Belgium with tracks such as "Constellations," "Paradigm," "Make 'Em Dance," and "The Act," they came to widespread prominence in 2017 with the Grammy-nominated "Cola," a collaborative track produced with fellow electronic musician Elderbrook. More high-profile collaborations followed, including tracks with Jake Bugg, Jem Cooke, and Yannis from Foals, while the duo also became regulars of the festival circuit, with dates at Glastonbury, Coachella, Creamfields, and Parklife. ~ AllMusic

From Utrecht, Carista is the DJ everyone wants to open for them. Self-taught, she bought her first pair of turntables at 19 and turned to YouTube tutorials. After winning a mixtape competition hosted by Rotterdam club BIRD in 2012, she landed a gig and subsequent residency at BIRD and other local clubs. Word started to travel about the charismatic selector, curator, and DJ. She went on to land herself a monthly radio show at Red Light Radio and NTS which got her noticed by a slew of festival programmers. She’s since made her debuts on Boiler Room and at festivals like Secretsundaze, Dekmantel, and ADE, where she opened for De School’s 62-hour party. Her sets are never predictable but always highly danceable. Through her NTS show United Identities, she hopes to continue to promote diversity and inclusivity in the club scene.

Carl Craig is described as a creative visionary, an electronic music icon, an esteemed Grammy-nominated composer, a world-class dj and an ambassador for his native Detroit. Yet the common thread that runs through Craig’s broad musical canon and creative projects is a resounding fascination with futurism. The prolific producer has cultivated a unique path as an artist, entrepreneur and civic leader, guided by his tendency toward forward thinking.

That feeling of discovering a new song and falling in love with it. That feeling of digging around aimlessly and coming across a record you've been looking for for ages. That feeling that the pieces of a set fit together and the story you are trying to tell connects on the dance floor. It's for feelings like these that Carlita wakes up every morning eager to get her hands on the decks. Born in Istanbul and classically trained, our protagonist became interested in club culture while studying in Boston and wanted to get into the booth to create musical journeys of her own, where genres merge into interrelated sounds and Carlita's diverse background shines through in all its multi-faceted splendour.

Chase & Status are an English electronic music duo composed of Saul Milton (Chase) and Will Kennard (Status). In addition, Andy Gangadeen is the drummer when the band performs live. MC Rage formerly performed as MC with the group, but left in July 2021 to focus on solo ventures. The duo are from London, and formed in 2003 after meeting at university in Manchester. The duo have since released six studio albums and collaborated with major artists such as Plan B, CeeLo Green, Rihanna, Example, and Tinie Tempah. They run the independent record label MTA Records. William Kennard founded ELAM (East London Arts and Music) in 2014.

Producer, remixer, DJ and Rinse FM host, Birmingham UK’s Chris Lorenzo is widely acknowledged for pioneering his hometown’s emergent and increasingly popular Jackin’ house come Bassline hybrid sound, which he terms simply “House & Bass”. Having built up specialist support with releases on a plethora of tastemaker labels, including Claude Von Stroke’s Dirtybird label and Shadow Child & Kry Wolf’s lauded Food Music label, Lorenzo has also been called upon to remix My Nu Leng for Black Butter and Disclosure for PMR.

Imagine, if you will, a yacht. It’s forged of gold and strong African teak, bobbing gently at anchor somewhere between the French Riviera and Detroit. A statue of the late Roger Troutman is affixed to the stern like a guardian angel. The ladies of Klymaxx wander the decks serving strawberries and cream on silver platters. Sylvester himself is the skipper, and Hall & Oates are down below, keeping the engines in shipshape. This is the S.S. Chromeo, and the two men who create the smoothest of music under the same moniker are at rest aboard, preparing for another global voyage of lovers’ funk ambassadorship.,Here we have Dave 1, the suave professor, the voice and intellect, enjoying a rosé as he ponders French literature. And with him we have the one and only P-Thugg, the brawn and the body, sipping on the ghetto cocktail known as Thug Passion and proudly going through his mental rolodex of jeep beats and funky flourishes.,The men of Chromeo have just released Business Casual, which is their third full-length album and a testament to the growth and further sophistication the band has undergone over the many years they’ve been collaborating. After their sophomore release, Fancy Footwork, pushed them into the stratosphere of party-rocking, club-banging, and heart-thrilling electrofunk, we might consider Business Casual their postgraduate work. Where does a group go after mastering their craft? Do they rest on their laurels? Do they retreat into self-parody? Neighbor, please. Chromeo, in 2010, have pushed forward into yet newer levels of song craft and body moving music that is respectfully indebted to its noble inspirations while still being fully contemporary. Are there lush string arrangements on “Don’t Walk Away”? Do we have Moroder-esque analog synth layers draped all over “Don’t Turn The Lights On”? Is there a fully authentic French ballad (don’t forget, Dave and P are of the Québécois persuasion and will never abandon those roots) in “J’ai Claqué la porte”? Well yes, actually, to all of the above.,But what’s this we have here? The flip side of Chromeo, the emotional gangster tracks, are still here on Business Casual, represented by titles such as “Hot Mess,” “I’m Not Contagious,” and “You Make It Rough.” And, newly added to the roster, we have the straight-up pop, vanilla in the best sense (creamy and smooth), of “The Right Type,” a get-up-and-go tune in the greatest 80s tradition, and the album closer, “Grow Up,” which almost sounds like golden era Billy Joel backed up by Cameo. How real is that?,Lyrically, Dave continues to mine the rich vein of affairs of the heart. Is there really any other topic that Chromeo needs to cover? Arrogant ladies, dancefloor seduction, boudoir skills, love gone wrong, and knights in shining armor… Chromeo does all this and more with their trademark Franco-insouciance-that-borders-on-coolness and their always sexy worldliness (pause).,In these uncertain times of financial upheaval and musical mediocrity, Chromeo’s Business Casual is a testament to the fact that inspirational funk shall always prevail. Vive le Chromeo!

Claptone is a German DJ and producer duo which specializes in house and tech house genres. They are recognizable by their plague doctor-style golden mask, which serves to intrigue the public as well as keeping their identity hidden. Claptone first surfaced in 2011 with a series of digital singles on Shir Khan's Exploited label. These tracks were generally built around recognizable samples, such as a cover of "Light My Fire" or the haunting melody from Wu-Tang Clan's "C.R.E.A.M." Claptone soon became highly prolific as a remixer, with clients including house producers George Morel and Riva Starr as well as pop groups such as the Pet Shop Boys.

Following his infectious debut EP on Elrow Music in 2017, Cloonee went on to release on some of the scenes most influential labels, solidifying his break onto the Tech House circuit and gaining support from major taste-makers. Cloonee continued his growth into 2018 releasing “no-nonsense tech house” – Earmilk, on dominant labels such as Lee Foss’ Repopulate Mars and Michael Bibi’s Solid Grooves to name a few. After securing his first Beatport #1 with “Be Good To Me” in early 2019, many more heavily hyped unreleased productions in the pipelines and a hefty international touring schedule; Cloonee’s rise is set to continue.

Vorsprung durch Technik (or ‘Advantage through technology’ in English) pretty much sums up the typical German stereotype. Super efficient, groundbreaking and full of innovation. If Mercedes are this to the motoring world then Cosmic Gate are paralleled within the world of electronic music.,After a chance meeting at a record label head office in Germany, Claus Terhoeven (Nic Chagall) and Stefan Bossems (Bossi) have created and inspired some of the most influential music ever to hit our dance floors over the past decade...

Cristoph hails from Newcastle upon Tyne, coming from a family deeply entrenched in the art of DJing. With both his father and older brother working in the industry, Cristoph was always destined to take the spotlight. Immersing himself in the club environment from an early age, it wasn’t long until he found himself cutting his teeth on vinyl and diligently studying the tools of the trade. The mysterious producer has proven himself a bona fide force to be reckoned with landmark releases on imprints like Last Night on Earth and Bedrock. Now, with the official backing of Eric Prydz, he’s primed for even greater success. It’s no surprise his music has caught on so fervently: simply put, Cristoph’s sound is infectious. In 2016, Cristoph achieved his biggest breakthrough yet, joining Hot Since 82’s white-hot Knee Deep in Sound imprint and becoming the inaugural artist to launch the label’s coveted ‘8-track’ album series. ~ Resident Advisor

With 2009’s multi-platinum One Love, two-time-Grammy-winning artist/producer/DJ David Guetta cemented his status as a genre-busting hitmaker whose in-your-face fusion of electro and hip-hop beautifully warps the pop landscape. Now, with his fifth studio album Nothing But The Beat, Guetta builds on that breakthrough momentum and takes his decades-spanning career to a frenetic new level marked by bigger hooks and more brain-bending beats. A star- packed powerhouse showcasing today’s hottest hip-hop and R&B artists, Nothing But The Beat backs up its high-gloss pop with ingenious electronic stylings that deftly flaunt Guetta’s DJ pedigree. In a nod to the driving force behind Guetta’s crossover success, the double album (due out August 29) also offers an all-instrumental disc designed to turn new listeners on to the hypnotic sound of house music.

There are few artists carving out a legacy for themselves like Dax J is right now. The London-born, Berlin-based DJ and producer has gone from pirate radio to magazine covers; from the backroom parties to headlining raves at every major techno institution the world over, and all whilst staying true to the underground and his individual style of raw and uncompromising techno. His mix of pure passion and attention to high-end sound production has placed him at the forefront of a global scene and established him as a singular presence within modern dance music. In recent years Dax has received countless accolades for his devotion to the craft. Being placed into Resident Advisor, DJ Mag, and Groove Magazine’s top 100 DJ’s of the year, as well as receiving nominations from Mixmag, DJ Mag and the DJ Awards for Best Techno DJ, Best Breakthrough DJ, and Best British DJ.

Joel Thomas Zimmerman, known professionally as Deadmau5, is a Canadian electronic music producer, DJ, and musician. He has been at the forefront of the EDM scene for over 15 years. With his distinctive masked look and grandiose shows, he’s done more than almost anyone else within dance music to blur the boundaries between DJing and live performance.

Derrick Carter plays parties, makes music, dances, sings, and really, really likes shoes.Derrick Carter

Of the Belleville Three, the cadre of early Detroit producers who tested the limits of spirit within electronic dance music and changed the integrity of the form forever, Derrick May's reputation as an originator remained intact despite more than a dec..Derrick May

Robert Etheridge aka Dimension is one of the UK’s most unique electronic music artists. Defined by a clear aesthetic that bleeds through into his music and imagery, Dimension has announced himself as one of the new wave of dance music headliners. Dimension’s combination of seemingly effortless musicality and production prowess first caught the attention of tastemakers and DJs such as Chase & Status, Annie Mac (5x Hottest Records), Skrillex (who remixed the much-lauded ‘UK’), and deadmau5. Over the past few years, he’s built a discography balanced between airwave conquering vocals and underground club anthems; and what was once one of UK dance music’s best kept secret now has a rapidly growing global profile. After a remarkable rise since his debut single, Dimension announced himself on the global stage with ‘Desire’, his collaboration with Sub Focus. The record’s list of achievements is near endless; it spent 9 weeks on Radio 1’s playlist (5 on the A-list), has amassed over 50 million global streams to date and has been certified a silver single in the UK by BPI (200,000 sales). Following ‘Desire’ came Dimension’s next string of solo releases, ‘Devotion’ featuring Cameron Hayes, ‘If You Want To’ and ‘Love To Give’ which all rapidly picked up midweek Annie Mac support alongside BBC Radio 1 plays from Phil Taggart’s Hype Chart, Mistajam and Rene LaVice; and together, hitting over 20 million global streams to date.

The brothers from Greek origin but born and raised in Belgium, spent the last years travelling across Europe and playing in some of the best venues around.,Their debut release on the legendary Bonzai Records, “La Cocaina/Eivissa 2007” was a techno banger that did really well on the White Isle, being played by many djs all around. They were asked as main act on Prestige Ibiza’s “Glamour Night” and as residents of the new club, playing on events like the Manumission Carry-On.,This year, Dimitri Vegas & Like Mike are the new pick of Joia Records, the Swedish top-label established in Stockholm about 5 years ago. In this short period of time they have been able to attract some of today’s biggest producers and have releases of artists like Eric Prydz...

A superstar DJ, sought-after producer, taste-making label owner, and wizard behind Major Lazer, Diplo (aka Diplodocus, Wes Diplo, and Wes Gully) launched his career on the fringes of dance music. With his mash-up mixtapes, he found and created a sound where his musical tastes -- '80s pop, electronica, Dirty South hip-hop, and his major influence, Miami bass music -- intersect. His attention-grabbing projects Hollertronix, with partner DJ Low Budget, and the Piracy Funds Terrorism, Vol. 1 mixtape, with British-Sri Lankan MC M.I.A., made a heavy impact on the alternative electro-pop scene, amassing rave reviews from music critics and indie kids alike.

The Disciples are a trio of music students, hailing from the South of England. Drawing on a variety of influences, including the likes of Pendulum, Nero and Hybrid, they write and produce a unique blend of acoustic and electronic music, combining genres including Drum & Bass and Rock. Their ability to play all their music live using live vocals, synths, guitars and drums puts them in an almost unique class of electronic acts.,The Disciples’ first song ‘Tiempo’ was released in July 2011 and was very well received. This year has seen the release of the equally-successful ‘Genesis’ in March and ‘The Outlaw’ in May, which was played on BBC Introducing in August. On 2nd September, The Disciples released their debut EP, which enjoyed a very positive reception. The band are currently working on their next release and planning a tour for 2013.

DJ Isaac (real name Joram Metekohy) is a Dutch DJ and electronic music producer. He began his career in the early 1990s and is known for his work in the hardstyle genre. He has released multiple albums, EPs, and singles, and has performed at various venues and festivals throughout the world. He has also released music on notable labels such as Scantraxx, Be Yourself Music, and Fusion Records. He is known for his energetic performances, incorporating live instruments and visuals into his sets. He has also remixed tracks for various artists and has been featured on numerous compilations and DJ mix albums. He is considered as one of the most influential DJs and producers in the hardstyle scene.

Stefan Kozalla aka DJ Koze lives and works in Hamburg and Cadaqués. His Profession: DJ, Musician (International PONY, Adolf Noise) and Remixer for many, including Gorillaz, Moderat, Matthew Dear, Låpsley, Caribou, Who Made Who, Lawrence and many others.DJ Koze

DJ Nobu is a DJ from Chiba city in Japan. He organises now legendary party called Future Terror and his own label Bitta in his home town.DJ Nobu ̸BIOGRAPHY Japan’s DJ Nobu is one of a kind; a DJ with no fixed style but instead a very real ability to draw on a wide world of music and cook up his own unique sound spaces. Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving. ̸SELECTED DISCOGRAPHY - NO WAY BACK / mixed by DJ NOBU label: ?? / Lastrum catalog: LACD-0094 (TGCS-3831) format: CD released: Dec 20th 2006 - CREEP INTO SHADOWS THE MIDNIGHT D EDITS / DJ NOBU label: Underground Gallery catalog: UGCD-801 format: CD released: April 3rd 2008 - DIARY / DAZZ Y DJ NOBU label: ?? / Lastrum Music Entertainment Inc. catalog: LACD-0143 format: CD released: August 6th 2008 - Endbeginning (Dazz Y DJ Nobu Omi Dub 12"Remix), (Nobu's Dub) / Crue-L Grand Orchestra label: Crue-L catalog: KYTHMAK132 format: 12" released: Apr 2010 - 011 e.p. / DJ NOBU label: GRASSWAXX RECORDINGS catalog: GWEP-07 format: 12" released: July 2010 - ZERO SET II -Reconstruct- / V.A. "Skin QER REMIX (reconstructed by DJ NOBU)" label: MUSICMINE catalog: MMCD20001 format: CD released: October 20th 2010 - ON / mixed by DJ NOBU label: MUSICMINE catalog: MMCD20002 format: CD released: December 22nd 2010 - Draw, Untitled / IORI, DJ NOBU label: Bitta catalog: Bitta001 format: 12" released: November 13rd 2012 - Crustal Movement Volume 01 - Dream Into Dream label: Tearbridge Records catalog: NFCD-27349 format: CD released: March 27th 2013 - Canadian Bellfield, Untitled / Steven Porter, DJ NOBU label: Bitta catalog: Bitta002 format: 12" released: December 12th 2013 - For Your Eyes Only Sampler One / V.A. "Sway" / DJ NOBU label: Semantica Records catalog: SEMANTICA 60​.​1 format: 12" released: December 20th 2013

Melbourne based DJ/producer Dom Dolla has taken the world by storm with a series of forward thinking hypnotic house music heaters, including his international breakthrough ‘Take It’, which he quickly followed up with ‘San Frandisco’. With both records accredited gold and platinum, the latter went on to earn him a multitude of accolades including #1 most played triple j, whilst charting at #33 on triple j’s Hottest 100 list, before earning himself an AIR award for Best Independent Dance Release, as well as an ARIA award for Best Dance Release following two previous nominations.

The Russian-born Tel Aviv native Marina Rubinstein (the honorific is strictly cosmetic) moved to Berlin in 2012, shortly after beginning to spin, and swiftly became one of the sharpest party d.j.s anywhere. A Dr. Rubinstein set is easy to recognize—it’s both stark and raucous, festooned with vintage-Roland TB-303 acid synth lines and an unforced bonhomie that’s rare in techno. She remains a committed dancer: “If I’m not playing, you won’t ever find me in a d.j. booth,” she recently said.

From global success in the commercial domain, to equal accomplishments within the underground scene, Dubfire (aka Ali Shirazinia) is an artist whose drive, talent and intuition have placed him in the top tier of electronic music artists in the world. He maintains this position within the industry with an unrelenting work ethic and a determination to innovate, evolve, and entertain. Whether it’s his involvement with Deep Dish, his solo performances at an extensive list of the world’s most influential clubs and festivals, his dubfire:live HYBRID show, running his label SCI+TEC, or simply his exploration of audio and visual technology, Dubfire is in a class of his own. ~ Soundcloud

Immersed in the heydays of the '90s Midwest rave scene, DVS1 (Zak Khutoretsky) has gained a highly respected reputation for his versatile skills, infectious energy and physical power behind the decks...DVS1

Eli Brown has rapidly established himself as an artist of real distinction in the house world, with his records making an immediate impact upon a flurry of the industry’s biggest names. Having grown up in Bristol, Eli Brown was exposed to a rich array of different musical influences from Jungle to Rave music, form Drum n’ Bass to House. Bristol’s musical heritage has helped define Eli Brown’s sound in an overcrowded House Music scene where he stands out from the rest. His talents have garnered key support from every corner of the dance music spectrum, with the likes of Carl Cox, Green Velvet, Fisher, Claude VonStroke, Black Madonna, Denis Sulta, Calvin Harris & Annie Mac, all endorsing the Bristolian’s productions. Singled out for his gritty style, Eli Brown’s productions are renowned for their singularly sinister approach, creating twisted dancefloor hits packed with vibrant club-ready energy. Self-taught in both his skills behind the turntable and his powerful production prowess...

As one of the most iconic artists of her generation in electronic music to date, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued the world of techno and dance music with her unique DNA. A dynamic selector who prides herself on her extensive knowledge of music and dance floors worldwide, she has travelled the globe as a DJ playing at every major club on the circuit and commanding the big stage at festivals from Europe to South America. Ellen’s eternally creative mind has led to the production of nine solo albums and an extensive back catalogue of singles, EPs and remix work. ~ Artist Official Website

Norman Cook, better known as Fatboy Slim, is one of the most successful dance artists of all time. He's scored numerous international hits with his hook-heavy, party-friendly tracks (often accompanied by innovative, subversive music videos) and he remains one of the world's most in-demand DJs. Building on the sample-based sound of his previous projects (Beats International, Mighty Dub Katz), Cook helped usher in the mid-'90s big beat movement -- filled with boisterous breakbeats and pilfered guitar riffs, among other ear-catching sounds. ~ AllMusic

Paul Fisher, otherwise known as Fisher, is an Australian music producer born in Australia in November 1986. Fisher's musical genres include house and tech house. Before his music career he was a professional surfer. Fisher started out as one half of the DJ duo Cut Snake with surfer Leigh "Sedz" Sedley. The duo formed in 2012 and released the EP's Life's a Beach in 2015, Magic in 2016, and Action Burger in 2016. Paul Fisher released the single "Losing It" in 2018 which reached #26 in Belgium, #35 in Australia, and #60 in Ireland and in the UK. The song also reached #1 on the US Dance Club Songs chart. His single "You Little Beauty" was released in 2019 and reached #41 in Australia. Fisher was nominated for a Grammy Award for Best Dance Recording for "Losing It" at the 2019 Grammy Awards and the song finished at #2 in the Triple J Hottest 100 of 2018.

FJAAK, the Berlin-based duo of hardware heads, have been constantly making a name for themselves over the last half a decade. Having grown up together in Spandau on the outskirts of Berlin, Felix Wagner and Aaron Röbig began quite early to create all different kinds of music before ending up taking on the city’s heritage – techno – to make it their own.

An accomplished artist and rising star of the Parisian electronic scene, FKJ, also known as French Kiwi Juice, is one of the flag bearers of the New French House musical genre. A native of Tours, but now based in Paris, FKJ is a leading talent and one.. An accomplished artist and rising star of the Parisian electronic scene, FKJ, also known as French Kiwi Juice, is one of the flag bearers of the New French House musical genre. A native of Tours, but now based in Paris, FKJ is a leading talent and one of the most emblematic artists of the Roche Musique team that he joined in 2012 via his long-time friend Jean Janin, a.k.a. Cézaire, artist and founder of the successful Parisian record label. Trained as a sound engineer for the cinema, while at the same time being a self-taught musician, French Kiwi Juice started with a first EP, ‘The Twins’, released by Roche Musique at the end of 2012. Then followed the single ‘Lying Together’, acclaimed by the blogosphere, and a second EP ‘Time For A Change’ (Roche Musique, July 2013), which was unanimously praised by music critics (Ofive, Trax Mag, The Sound You Need, Earmilk, Indie Shuffle…). Thanks to millions of plays and views on different media, songs such as ‘So Much To Me’ or ‘Instant Need’ have already become classics of the French house genre. With incredibly groovy loops, classy hip-hop rhythms, gloriously funky basslines and richly colorful synth sounds, FKJ’s music stands up to comparison with the masters of the genre. Now established as one of the major artists of the French musical scene, French Kiwi Juice’s stage reputation has soared thanks to his inspiring and original DJ Sets, but above all thanks to the driving rhythms and and dazzling improvisation that characterise his Live Sets. Apart from the quality of his musical selection when DJing, FKJ, known as Vincent Fenton to his friends, is also an eternal source of pure creativity. This young man, just 24 years old, is a multi-instrumentalist who is permanently in search of the perfect chord. The artist, who has signed with the leading Parisian booking agency ‘Uni-T’ enjoys an international audience. He returned from an Asian Tour in May 2014, and has often performed alongside successful artists whose auras go far beyond European borders. His eagerly awaited latest EP ‘Take Off’ (Roche Musique) came out on July 21st 2014 and will no doubt make the artist one of the revelations of the year.

Robert Hood (born 1965 in Detroit, Michigan) is an American electronic music producer and DJ. He is a founding member of group Underground Resistance as a 'Minister Of Information' with Mad Mike Banks and Jeff Mills. He is often considered to be one of the founders of minimal techno. In 1994, Hood founded the minimal techno label M-Plant in Detroit.

man of the people

Ed Keeley, better known by his stage name Friction, is a drum and bass producer and DJ from Brighton, England. He runs his own record labels, Shogun Audio & Elevate Records, and has formerly presented a regular overnight show on BBC Radio 1.

To say Gareth Emery has had a good year would be a vast understatement. Over the past twelve months, the popularity and buzz surrounding the young Brit reached explosive proportions, culminating in him being voted no.9 in 2009’s definitive DJ Mag Top 100 poll: one of only a handful of DJs to crack the world’s top ten before the age of 30.,Was this down to producing pure club anthems like Exposure and Metropolis alongside stunning remixes for Armin Van Buuren and Above & Beyond, all of which led to him spending more time at the top of Beatport’s trance chart than any other artist in ‘09? Maybe it was the launch of his new Garuda label and club night, responsible for selling out Manchester�s iconic Sankeys club four times in a row whilst releasing his critically acclaimed compilation ‘The Sound Of Garuda’. Or perhaps it was the sheer amount of people he played to, banking half a million air miles travelling to over one hundred gigs at some of the world’s finest clubs and festivals. Whatever the reason, one thing is for certain: he’s on fire like never before.,Of course, what seems like ‘overnight’ success is usually the result of years of hard work, and Gareth Emery is no exception. He started learning the piano at 4, and whilst he’d completed his classical music training before he’d finished school, his real interest lay elsewhere, initially in guitar-based sounds. This was the UK in the mid-90s with Britpop and indie the order of the day, although as one might expect, Emery was no slouch, following the footsteps of Green Day and Oasis by headlining Southampton’s legendary Joiners venue at the age of just 15 with his band at the time. But it was a chance trip to Ibiza in 1998 that opened his eyes to the appeal of dance music, and after spending the next three years learning to make music with computers and midi, rather than guitars and pianos, he wrote his first electronic classic: the seminal ‘Mistral’, famously made whilst on holiday in France on a £500 laptop. Plenty more were to come.,These days, his records (which are composed, produced, and engineered entirely by him), span the worlds of trance, progressive, electro, techno, and a few other places. Languid, spacey grooves, juddering basslines and original melodies that take your breath away mean that it’s a given that Armin, Tiesto, Oakenfold, and Judge Jules have all been fully paid-up members of the Emery fan club for years. But more importantly, he’s firmly established as one of those rare producers who values quality over quantity, preferring to make five amazing records in a year then twenty average ones, and even happily refusing to release a track if it doesn’t feel “just right”, to the occasional frustration of his fans. It’s this uncompromising attitude, that drive for something unattainably perfect, that has made him one of the most sought-after producers and remixers on the planet.,But if there’s one place where he’s even more at home than in his studio, it’s behind the decks, where he’s morphed into the consummate superstar DJ, unequivocally demolishing dancefloors the world over. From global superclubs like Zouk in Singapore and Guvernment in Toronto, to epic festivals like Global Gathering, Trance Energy and Dance Valley, to the mega-brands like Ministry of Sound and Godskitchen, the utterly unique, instantly recognisable Emery sound continues to pack out more clubs, in more places across the world, than ever before.,The rise of Gareth Emery to dance music’s Premier league has been untraditional in almost every sense, and looking at his career, one gets the feeling he almost likes being the underdog. In 2009, when he was advised against launching his Garuda club night in the midst of one of the harshest recessions in living memory, he went ahead regardless, going on to totally sell-out every Garuda party that year. He also chose the road less travelled in 2006, when he turned down numerous offers from established radio stations to instead experiment with a virtually unknown format known as podcasting. It was a gamble that paid off, as four years and 100 episodes later, The Gareth Emery Podcast is now one of the most popular and influential dance music downloads in the world, with Emery’s famously diverse track selection and charismatic broadcasting style resulting in TGEP being nominated for ‘Best Podcast’ at the Miami Winter Music Conference IDMA Awards three years running.,Having also eschewed the lure of corporate major labels since the beginning, (almost all of his singles have been released on his own imprints), he’s living proof that you can amass a truly global following with little more than the power of the internet and some outstanding music. With millions of viewers on YouTube and legions of fans on Facebook, Twitter and Myspace, he’s a modern artist in every sense of the word; one with his finger truly on the pulse of the globalised, digitised planet we now inhabit. He sums it up in a recent interview: “At the start, there was no helping hand: I had no record deal, no money, and no idea about how to make my way in the music business. Basically I was just a kid from Southampton, who was making half-decent music on some very cheap equipment, and told people to check it out. The rest just sort of happened”. Inspirational stuff for talented kids everywhere.,With a list of achievements already far surpassing most DJs ten years his senior, Gareth Emery could easily sit back and be content with his lot, but you get the feeling that won’t be happening. After seeing his Garuda brand become the hottest label and club night launch in recent years (the quantity of Garuda t-shirts you now see at Emery gigs is testament to that), his plans for the next year are firmly rooted in the studio, where he’s determined to finally finish his long-anticipated artist album. “2009 was really all about Garuda. I started the year without a real home for my music, and now I’ve got one – as well as our Manchester residency which really was the surprise success of the year. But whilst Garuda has some amazing releases and nights lined up for 2010, for me, the next year’s all about finishing my album. I’ve been promising it since 2006, and whilst making a LP is undoubtably challenging when you spend half of your life abroad touring, I’m determined to put everything aside to finally nail it this year”.,At just 29, Gareth Emery’s well on the way to conquering the electronic music world, and if he finally cracks that artist album, he might just do it. Whatever happens though, 2010’s set to be a big one, as the worldwide Garuda massive eagerly await to see what’s coming next from this uniquely talented artist. We can’t wait – see you on the dancefloor.

Blending U.K. garage, deep house, and pop, London duo Gorgon City scored hits in the clubs as well as the charts throughout the 2010s. Sporting a big sound from the get-go, with heavy bass, catchy vocals, and sleek production, they made their debut on then-independent label Black Butter in 2012. Several hit singles, including the U.K. Top Five smash "Ready for Your Love," led up to the release of their highly successful debut full-length, 2014's Sirens. The duo kept busy over the next few years with constant DJ gigs and collaborations with stars such as Wyclef Jean and Chris Brown, and their heavily anticipated sophomore album, Escape, arrived in 2018. ~ AllMusic

Tel Aviv-based dance music producer Guy Gerber, who incorporates the best aspects of progressive house/trance, deep house, and techno into a unique style of his own, established himself as a rising star in 2004 with "Stoppage Time," a popular release by Bedrock Records that opened the door to a high-profile recording contract with Cocoon Recordings soon thereafter. Growing up in Israel, Gerber grew up playing soccer. By the time he'd reached his mid-teens, though, he'd found a new passion: music, in particular seminal English-language alternative rock bands of the '80s like Sonic Youth, My Bloody Valentine, the Cure, and Joy Division. He himself took up playing the guitar as a result. His tastes quickly extended beyond '80s alt rock, and he developed an affection for a variety of music, from the Beach Boys and the Beatles, to Kraftwerk and Chic, to Curtis Mayfield and Jimi Hendrix, to Iggy Pop and the Velvet Underground. He also got into electronic dance music. ~ AllMusic

A child of the garage generation Hannah Wants has validated herself as a world renowned DJ with some serious credentials. In 2014 alone Hannah picked up the Best Breakthrough DJ title at the DJ Mag awards and became Mixmag’s Best Breakthrough DJ and..Hannah Wants

Willem Rebergen, better known as Headhunterz, kicked off his DJ career in 2003. That year, a friend gave him a ticket to Qlimax, and it was love at first sight. Discovering hardstyle music and its dedicated scene changed his life. From that moment on, he committed himself to becoming the best producer in the hardstyle genre. He locked himself up in his tiny bedroom studio, in the attic of his parents’ house in Veenendaal, and quickly learned the ropes of producing. Unaware of the revolution he would start, the foundations of the Headhunterz sound were made. Headhunterz’ new take on Hardstyle music made the genre grow into an international phenomenon. It was no longer just the sound of European raves, but became something worldly. Headhunterz made new audiences fall in love with the unstoppable energy of Hardstyle music. 7 years after visiting his very first hardstyle party he was on top of his career, with each new track captivating both his fanbase and artists outside the scene.

Hamburg native Helena Hauff is an in-demand DJ as well as an acclaimed producer of gritty, hard-edged electro-techno. Her music draws from influences such as acid house, EBM, and industrial, and she records her tracks strictly using analog equipment, usually in one take. Her full-length debut, 2015's Discreet Desires, contains some of her most melodic material, while 2018's Qualm is more stripped-down but no less energetic. Hauff has released a handful of EPs, including 2019's Living with Ants and 2021's Futuros with the Exaltics. ~ AllMusic

Throughout his rise to become both a foundation and a founding father of the underground house scene, the name Hernán Cattáneo has become synonymous with dedication, passion and an unwavering commitment to championing a unique quality of music that is hard to define, but instantly recognisable as his signature sound. His effortless ability to clock up more than 30 years of DJing, 11 albums, 30 singles and 50 remixes is the legacy of a uniquely powerful personal touch, which ensured that Hernán stood out from the start. ~ Official Artist Website

There's something odd about Hot Chip. Some fracture between conception and actuality that makes them all the more intriguing. Ostensibly Hot Chip sign up to the HipHop dream as espoused by MTV Cribs and presumably as lived by, ooh, Pharrell Williams?..Hot Chip

27-year-old Ida Engberg started DJing hip hop and soul aged 14 after a boyfriend showed her how to mix, but she says “I had absolutely no plans on becoming a DJ, I just saw it as a new way to listen to and interact with music and I loved it!” But fate had other plans – while at a friend’s bar aged 18 his regular DJ called in sick. Ida talked her way onto the decks on the proviso that if it wasn’t working after half an hour she’d get off again – by the time she’d finished playing she’d secured her first weekly residence. “I was probably a terrible DJ” she says modestly, “but he loved the music so he booked me every Friday. At this time I was playing lounge music, ambient and soulful house.”,Ida honed her mixing skills and bagged her second residency through more fortuitous timing – working as a host at a big nightclub, Spy Bar, she stepped in for the errant resident DJ who’d had a skinful and promptly disappeared, leaving the dancefloor in silence. The owner immediately changed her job description to DJ, and put her in the main room, kicking off her DJ career proper. “I guess it was there it really started” says Ida. “I was playing house, tribal and electro and I really loved every second of it! I kept my residency there for two and a half years until I decided I wanted to spread my wings a bit.”,A move to Marbella brought 8 months of club gigs, followed by a season in Ibiza which inspired Ida musically like no other place. “I had fallen deeply in love with the minimal techno sound so it was perfect at the time. In Ibiza I met so many people who shared the same dream- To be working with music.” “I was playing in bars and smaller clubs and in afterhour parties. Everywhere I went it was people with the same passion for music as I had.” At the end of the season, Ida returned to Stockholm landing a top residency at Cocktail Club, the best underground club in Stockholm. “My first gig was a warm up for Eric Prydz and after that I did warm ups for everyone from Damian Lazarus, Mandy, Anja Schneider and Jennifer Cardini to Roger Sanchez and Steve Angello. “Stockholm is a great platform for electronic music. There are so many great producers and DJs living here and people really support each other.”,Although DJing is her first love, it was only a matter of time before Ida tried her hand at production. Her first effort was the massive Disco Volante – signed by John Dahlbäck to his Pickadoll label and released in 2007 with a Sebastien Leger remix it became a huge hit all over the world, featuring on compilations from Ministry of Sound, Defected in the House and Pacha Ibiza. It charted across the whole of Europe, doing especially well in Holland, Belgium and Germany. Two more tracks have followed on Get Physical and Pickadoll plus a remix for Dada Life, and Ida signed with the Plantage13 agency for international gigs. She can be found playing her brand of minimal, techno and tech house in clubs all over the world every weekend, and her love of what she does is obvious to all. Playing unplanned sets allows her to respond to the crowd, and she’s rocked parties and clubs like Miami’s Sunday School for Degenerates, Yes at Watergate in Berlin, Tomorrowland in Belgium, Melkweg in Amsterdam, Catwalk in Rotterdam and Op Art in Portugal to name a few. Lately she also took part in the Drumcode parties with Swedish companion Adam Beyer. “It’s still a musical journey, my style develops all the time and I’m always open to new impressions” says Ida. “That’s what makes it the best job in the world!”

̸BIOGRAPHY Along with the likes of occasional partner-in-crime Andrew Weatherall, Ivan has the ability to play music like a raw conduit between his famously obscure records and the dancefloor's strobe-soaked bodies, injecting something of himself seamlessly into.. France's most wanted radio host and selector, Ivan Smagghe stands at the crossroads between glamorous parisian hype and musical integrity. His genre defying/defining production work originally in Black Strobe and now in It’s A Fine Line (who have recently finished Battant's second LP, As I Ride with No Horse) has connected him to and garnered the praise of (amongst others) James Murphy, Trevor Jackson, Ata, Optimo and the aforementioned Weatherall. All fellow crusaders in the fight to prove that electronic music can be so much more than a one dimensional soundtrack for a night on the lash. The success of his musical blog 'a few things from Ivan Smagghe' has generated a compilation series of edits for Paris uber-fashion store Colette. The first volume sold out in a couple of weeks. His project with Tim Paris, It's A Fine Line, has already put out numerous remixes (from Superpitcher to the XX) and releases that can't be pigeonholed (electro rockabilly on Kompakt to italo rickety disco on Marketing Music). Their new studio is now fully set for original music, remixes and production. Expect a lot more from them in 2012. Aside from his A&R role for now 10 years old label Kill The DJ (who have released the first EP of RMVN, Ivan’s project with Roman Flugel), Ivan has also started solo work (a noted remix for Parisian label Meant) as well as more planned collaborations with musical friends (Ewan Pearson and Tiga being first on the list). You can catch Ivan subverting the masses on any given weekend, all around the world. Go to http://afewthingsfromivansmagghe.blogspot.com/ for more info, thoughts, and edits.

̸BIOGRAPHY Jaguar is a broadcaster and DJ representing the next wave of emerging talent on her BBC Radio 1 show, Introducing Dance. Jaguar Bingham is every bit as memorable as her name. Hailing from Alderney in the Channel Islands, but based in East London, the 27-year-old broadcaster, DJ and journalist, known mononymously as Jaguar, is among the new guard of multi-hyphenate talents steering UK dance music towards brighter waters. She’s a next-gen tastemaker instigating change through projects such as UTOPIA and The Jaguar Foundation. Jaguar’s work to date, spanning from her radio internship at BBC Radio 1 and 1Xtra in 2014 to more recent endeavours such as her landmark BBC Introducing on Radio 1 Dance show, has been anchored by a desire to spotlight new artists and minority voices within electronic music. It’s what drew her to BBC Introducing – a platform devoted to unsigned and emerging musicians – in the first place. In 2016, Jaguar joined the crew as Team Assistant at the station’s Sheffield HQ. At the time, she was studying English Literature at Leeds University. (A move, says Jaguar, spurred on by the city’s reputation for vibrant nightlife.) Each week, she would rifle through tunes submitted to the BBC Uploader by new artists. “I was listening to all the dance tracks and sending them to Danny and Monki, and Annie's shows and Pete's shows,” says Jaguar, who later worked for BBC Introducing’s Central Team in London, “so I was ready, even then, for my own show.” That moment came in 2020, when Jaguar launched the BBC Introducing Dance show on Radio 1. A defining moment in Jaguar’s career to date, the show has been met with critical acclaim. In 2021, Mixmag named her Broadcaster of the Year – a poignant accolade, given it was there that Jaguar’s voice and face became synonymous with its weekly office party, the LAB LDN. “I fell in love with dance music at the LAB LDN,” says Jaguar on her time at Mixmag, where she also worked as Weekend Editor for a time. “It was really special.” Elsewhere, she was awarded Best Radio Show for BBC Introducing Dance through a public vote at last year’s DJ Mag Best of British Awards. The magazine had previously dubbed her “UK radio’s next gen champion”. More recently, Jaguar was tapped to co-present this year’s IMS alongside summit co-founder Pete Tong MBE. Keen to diversify her work, Jaguar has also produced and voiced documentaries for radio on topics such as LGBTQIA+ safe space clubbing and written articles spotlighting unsung Black women pioneers in house music. She was also Beatportal’s Guest Editor in August 2021, and previously helmed a show on South London community station Reprezent Radio, which she dedicated to new music and guests such as HAAi, Anja Schneider and Dance System. In September 2020, Jaguar turned her attention to parties. She launched an event, UTOPIA, with the brand later branching out into a UTOPIA Talks conference and podcast. The latter welcomed SHERELLE, Mary-Anne Hobbs, Sama’ and many more in its first season. “I describe UTOPIA as my vision of the world,” says Jaguar, reflecting on the brand at large and the very first UTOPIA club night: a sold-out celebration at London’s Night Tales. “It’s a world I'm trying to get to through all of the work I do: radio, DJing and so on. It's a community.” Speaking of communities, Jaguar was inspired by some of the queer parties and venues she’d encountered previously as a member of the LGBTQIA+ community. Dalston Superstore, say, or Leeds’ Wharf Chambers. Elsewhere, she’s thrilled to be sharing her latest project, The Jaguar Foundation, with the world. A partnership with Ministry of Sound and Sony Music UK Social Justice Fund, Jaguar described the foundation as a “home for my long-term commitment to [equalising] music through more forward-thinking initiatives and partnerships” in an op-ed she penned for the Independent. The Jaguar Foundation released its first report on the state of gender equality in UK dance music at last month’s IMS. Furthermore, the foundation’s first initiative, Future1000, saw Jaguar collaborating with in-school music education platform Virtuoso (fka FutureDJs) on a free, UK-wide DJ, production and leadership programme which introduced 1000 female, trans and non-binary students aged 12-18 to the music industry. A major move for the industry and Jaguar alike. Tackling issues such as gender imbalance, representation and accessibility within the industry at a foundational level, the initiative provided curious minds with artist-led sessions with the likes of Jyoty, Jayda G and Bklava and course modules curated by the London College of Music Education. “I wanted the students to feel represented, supported, and comfortable,” explains Jaguar. “It can be scary learning to DJ. I wanted them to feel they were in an environment where they feel safe to explore their interests.” Future1000 was brought to life during the pandemic. It was then that Jaguar, amid the chaos of the time, recognised what her purpose was – and had been for some time, subconsciously – within the industry: amplifying marginalised and undiscovered artists and DJs. “It made me look inward,” says Jaguar on lockdown. “I realised I’m never going to be the loudest person. My way of expressing myself comes through my work and making it clear that I’m going to spotlight not just great music, but great music from women, and Black, brown, trans and non-binary people.” Born to a Ghanaian mother and English father, Jaguar cites the “lineage of Ghanaian women” on her mother’s side, along with her girlfriend, as continued inspirations. Though it was her father who taught her to always go the extra mile and dream big. (She reckons she’s also inherited his work ethic.) She looks up to fellow tastemakers such as Annie Mac and The Blessed Madonna, as well as Clara Amfo and Honey Dijon. This admiration is entirely reciprocated. Jaguar is a regular at the Annie Mac-curated Lost and Found Festival in Malta, for instance, where she treats sun-kissed ravers to her signature cocktail of genre-hopping, feel-good bubblers. She has previously supported Annie at venues across the UK, including Warehouse Project and the Pickle Factory. In 2018, Jaguar was mentored by The Blessed Madonna for the Smirnoff Equalising Music campaign. It was a spectacular ‘pinch-me’ moment that solidified her incredible career trajectory up until then. Let’s rewind though, for a second. Growing up on Alderney, it was the video games that initially piqued Jaguar’s interest in immersive electronic music and world-building through sound design. “I’d play Final Fantasy and Kingdom Hearts,” she recalls. “I loved fantasy games, they’ve got such incredible soundtracks. I’ve actually started gaming again, since lockdown. Seven-year-old me would be excited to see it.” Her older brother exposed her to much of the music that eventually shaped her personal taste. (Her brother’s collection, that is, along with teenage summers spent raving in WWII bunkers on the island). Back when they were kids, he would transfer tunes from his Limewire-acquired collection to her iPod. “I'd listen to Kanye West and the Chemical Brothers,” she says with a grin so infectious you can’t help but smile too. “I remember hearing Timbaland's Shock Value for the first time, as well as Gorillaz's Demon Days.” A love for pop music soon blossomed, with Beyoncé, Black-Eyed Peas and emo/pop-punk outfit Evanescence, along with Aussie sisterly duo the Veronicas, among her favourites back then. Her affinity for electronic music and genres such as house, techno and disco, along with jungle, drum’n’bass and stacks more floor-filling styles, merged with an interest in student radio while in Leeds. “I loved the way talking about music, discovering music and presenting it to an audience made me feel,” she says of the days spent presenting and producing her own student radio show, Dangerous Jag. In 2016, Jaguar won two coveted Studio Radio Awards. “It was like winning an Oscar at the time!” she laughs. Since her first stint on the airwaves, it’s been clear Jaguar possesses a natural talent for bonding with listeners via a shared love for great music. Not only that, but a determination to uplift those around her. See, Jaguar isn’t content with making a name for herself alone. Instead, she strives to rise through the ranks side by side with her peers. Take her recent run of headline UK shows with UTOPIA, which saw her inviting Future1000 alumni Badly Drawn Banana aboard the HMS UTOPIA for an intimate party on the Thames. Looking ahead, Jaguar is a resident at iconic hotspot Pikes Ibiza this season, with shows also confirmed at storied venues such as DC10 and Amnesia. Elsewhere, she’ll set out on a must-see European tour of her own, hitting up events such as Glastonbury, Circoloco and Radio 1’s Big Weekend this spring and summer. Jaguar will also fly UTOPIA out to Ibiza for a pair of unmissable White Isle shows, and make her US debut this October at CRSSD Festival. She’s also ideating on future film and documentary projects. She’d like to write some books down the line, and live out her childhood dreams by dabbling in TV presenting. She also plans to grow UTOPIA into a festival one day and aspires to host the BBC’s coverage of Glastonbury. We can expect future club sets to include specially-produced edits of tracks made by Jaguar’s friends, too. A neat touch, one that’s very much in keeping with the spirit of togetherness that permeates through all that Jaguar does. Togetherness, authenticity and the delightful purveyance of effervescent dance music: these are the calling cards of Jaguar.

Jai Paul is a British songwriter, record producer and recording artist from Rayners Lane in Greater London, United Kingdom. He is signed to XL Recordings. His songs "BTSTU" and "Jasmine" have been influential on underground as well as mainstream pop music in the 2010s. After the release of these two singles, Paul did not release any new music for seven years, though a collection of his music was leaked in 2013. During this hiatus, Paul formed a music collective with his brother, A.K. Paul. Paul returned from his hiatus in 2019.

JAMES ORGAN is a name rising through the ranks and rapidly cementing himself as one of the finest house and techno producers and DJs around. 2019 became a breakthrough year for the Liverpool-based DJ playing to huge crowds at Parklife, Reading & Leeds, Wilderness, We Are FSTVl, Creamfields, The Warehouse Project and many more alongside heavy support from BBC Introducing and releases on the likes of Saved Records and VIVa Music. James also held down a residency at Liverpool’s famous club night Circus warming up for and grabbing the attention of Hot Since 82, Loco Dice, Sven Vath, Larry Heard and many more.

Timucin Lam, known professionally as Jax Jones, is an English DJ, songwriter, record producer and remixer. He rose to fame in 2014 by featuring on Duke Dumont's number-one single "I Got U". He followed this up with his own singles "You Don't Know Me" featuring Raye and "Instruction" featuring Demi Lovato and Stefflon Don in 2016 and 2017, respectively. Jax's debut studio album, Snacks (Supersize), was released on 6 September 2019. It was preceded by the single "One Touch" featuring Jess Glynne.

Canadian by birth and now London-based, Jayda G has risen steadily and stealthily through the dance music underground with her infectious energy, vitality and boundless enthusiasm.Jayda G

Jeff Mills, along with Robert Hood, Carl Craig, and Joey Beltram, is one of the biggest American names in techno. Championed for his music's relentless pursuit of hardness and his intense, almost industrial DJ sets (often utilizing three or four turntables or CD decks and a drum machine), Mills is one of the most significant figures in a long line of Detroit-bred talent to earn an international reputation. A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood during the late '80s and early '90s. ~ AllMusic

After learning the ropes at Amsterdam’s legendary club 11, Job began his adventure at the renowned Innervisions label in Berlin. With all Job has achieved so far and a current heavy touring schedule, including appearances spanning from Burning Man to Panorama Bar, one can only wonder where he will go next.

Guy James Robin, known professionally as Jonas Blue, is an English DJ, songwriter, singer, record producer and remixer based in London who produces music which blends dance with pop music.

Joris Voorn sits at the epicenter of the Dutch electronic music scene, the most renowned and instantly recognisable artist from Holland, representing underground house and techno on a wider global stage. For a country with a population of just seventeen million Holland’s contribution to world electronic music is unsurpassed. While house and techno trace their roots to the marginal and mainly black American underground, its taken a relatively small country in the European lowlands to flip electronic music on its head and turn it into the global powerhouse it is today. In 2016 few could deny that Amsterdam is the global capital of electronic music and few artists embody the melting pot of musical influences that define the city’s underground techno scene more than Joris Voorn. ~ Resident Advisor

Capriati began DJing as a preteen, eventually attending raves and developing a passion for techno that would guide his career. He began producing tracks of his own, and in 2007 he had 12"s out on local labels such as Analytic Trail and Globox. Collaborative EPs with Rino Cerrone, Markantonio, and Uto Karem followed, and by 2009 he began releasing material on Adam Beyer's Drumcode label, as well as Chris Liebing's CLR. Italian native Joseph Capriati is praised for his marathon DJ sets, as well as his sharply produced techno and house tracks. Since launching his career in 2007, he has performed at countless festivals and clubs throughout the world, and released dozens of records for labels like Drumcode and CLR. While his singles tend to be functional tech-house and minimal techno tracks, his albums demonstrate his versatility, from the downtempo and drum'n'bass cuts on 2010's Save My Soul to selections on 2020's Metamorfosi that draw from garage house and Goa trance. ~ AllMusic

Josh Wink has always run ahead of the pack, as a DJ, label owner, producer, remixer, and artist. With the release of Profound Sounds Vol. 2, Wink continues to forge ahead, challenging established conventions of what a mix CD should be, not only by remaining true to his mercurial aesthetic as a DJ, but also taking advantage of technology to fine-tune his selections into the best possible recorded representation of Josh Wink.,“Profound Sounds Vol. 1 is one of my favorite compilations – it just happens that I made it," says Wink of the new album’s 1999 predecessor. “It represents me, and the way I combine house and techno, in both my DJ sets and as a producer, pretty well. I’m not one for holding people to one specific genre; I love being on the median in between.”,The sound of Josh Wink today remains one of a man unafraid to walk the border between stylistic boundaries. Profound Sounds Vol. 2 starts off dark and atmospheric with “Form Is Emptiness” by Swayzak, then quickly builds momentum with the minimal and melodic Joshua Main mix of Rithma’s “Tracks for a Weirder Day.” The 73-minute mix incorporates hints of old school Chicago house (“Make A Move” by Minimal Man), electro (“E Series 2” by Frankie Bones), and even Latin and tribal house (“Auburn” by David Alvarado). Perhaps the finest example of Wink’s refusal to limit his play list to any one genre comes at the three-quarter mark, when he integrates Aaron Carl’s paean to house music, “The Word,” over techno-flavored tracks courtesy of Rino Cerrone and Mr. G.,Unlike most of the mix CDs clogging the shelves, Profound Sounds Vol. 2 doesn’t attempt to cash in on the latest trends or mega-hits. “We could have gone that route, and signed a couple of really big tracks, and put a sticker on the front that says, ‘Includes the hit so-and-so…,’ and everybody would go, ‘Oh, I know that one,’” Wink admits. "But my integrity as an artist doesn’t allow me to do that. I used tracks on this compilation that span a big period of time: Some older ones, some newer ones, and some unreleased.” And he made sure to include a few more of his own cuts this time around, including the hypnotic modulations of “Oakish,” the Blakkat remix of “Superfreak (Freak),” and his own South Philly Acid Pass redux of Dave Clarke’s driving “Compass.”,But making Profound Sounds Vol. 2 didn’t just begin and end with picking the tracks and sequencing them in a suitable order. After that step, he tailored every cut to meet his specific requirements for this mix. “Every track is re-edited as a Josh Wink re-edit. I don’t end up compromising the integrity of the original art, I just altered it to fit my contour.” Only after customizing each song was he ready to record the final version of the set. “In a sense, I did the mix twice,” he observes.,Towards that same end as an added value, Wink included a bonus disc to Profound Sounds Vol. 2, which features both audio and video content. The aural component includes the CD debut of four Wink productions previously available on vinyl only: The original “Superfreak (Freak),” “Evil Acid,” “How’s Your Evening So Far” (featuring Lil Louis), and “What You Mean To Me” by Range of Motion. The visual portion of the disc reveals an in-depth interview with Wink featuring studio and live footage, detailing the intricate process of making the record. “It’s important to me to let people know what I did on this to make this disc different, rather than just mixing it,” he reiterates.,Of course, diehard Wink fans expect nothing less from this artist, who has been breaking new ground for the past two decades. In the late 1980s and early ’90s, when most of the U.S. was just waking up to rave culture, Wink – who had been working as a mobile DJ in his hometown of Philadelphia since he was 13 years old – was already making his own tracks (“Tribal Confusion” by E-Culture, with his former partner King Britt) and hauling his records around the country to spin at burgeoning clubs and parties.,In 1995, Wink became one of the first DJ-producers to translate his hard work into mainstream success, when he unleashed a string of classics, including “Don’t Laugh,” “I’m Ready,” and “Higher State of Consciousness,” that topped charts worldwide, and made him a bona fide pop star in Europe. On his 1998 album, HereHear, Wink pushed boundaries even further, inviting fellow artists as diverse as Trent Reznor (Nine Inch Nails), Caroline Crawley (Shelleyann Orphan/This Mortal Coil), and Philly poet-performer Ursula Rucker (Jazzanova, The Roots), to contribute to a far-reaching disc that ran the gamut of electronic music styles, from ambient and trip-hop to drum & bass, as well as the trademark mix of house and techno on which Wink has built his international reputation.,Since the release of the first Profound Sounds compilation in 1999, Wink has been concentrating on various projects, including continuing to oversee operations of his Ovum Recordings record label. Over the past year Josh has released another two dance floor anthems, “How’s your evening so far” and most recently “Superfreak”, both of which continue his tradition of making distinct music that catches people’s ears and inspires others to compose their own music. Although he used to bristle at requests to remix other artists ("because you sell the rights away, and don’t own them any more, even though the remix is basically all your own music), lately he’s grown to enjoy that gig more, turning out such notable overhauls as his recent reworking of “Blue Jeans” for Ladytron, Paul Oakenfold’s “Starry Eyed Surprise,” and Depeche Mode’s “Free Love.” Wink hopes to compile his favorite remix gems on a CD collection soon. He’s also working on some songs with fellow Philly denizen G. Love (as in, G. Love & Special Sauce), and hopefully further collaborations and production gigs with other like- and open-minded musicians.,“I get bored if I do the same thing” Wink concludes. “Some people get pigeonholed as being into just one thing. I hate that. When there are rules, it doesn’t become art, and it’s not fun. I’ve learned that you can’t please everybody, so I’d rather be concerned with making good art, and the people that like this art will stick with you.” Profound Sounds Vol. 2 is classic Josh Wink. It dares to be different. It is good art. And, most importantly, it is great fun.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

a house / techno / broken beat / experimental producer and dj, based in Sofia, Bulgaria.KiNK

Music & MischiefLauren Lane

Since forming in 2012, Leftwing & Kody have gone on to become two of the UK’s finest exports. Both Mixmag and DJ Mag named them as ones to watch a mere year after they paired up, with DJ Mag even nominating them for ‘Best Breakthrough DJ’ in their Best of British Awards. Since then the duo has gone on to present a monthly Rinse FM show, earn residencies at Fabric (London) and Sankeys (Ibiza), as well as releases on Hot Creations, VIVa, Truesoul, Mobilee and Knee Deep In Sound, as well as their own renowned imprint Lost Records. It’s fair to say Leftwing & Kody, real names Jon Kong and Chris Adie, have made it look easy, but it’s their determination and diligence that’s helped them prosper so rapidly in such a short time. Before long support from the upper echelons of house and techno quickly burgeoned, with Carl Cox, Jamie Jones, James Zabiela, Maya Jane Coles, Loco Dice, Steve Lawler, Adam Beyer, Nic Fanciulli and Huxley continually advocating their productions throughout the years.

Berlin based DJ, producer and label owner Len Faki is one of the most outstanding and in-demand artists in techno's present age. He is an internationally requested DJ, whose productions and remixes are played by techno’s most prominent names. Being a resident at Berlin’s prime techno club Berghain since its opening in 2004 keeps him open-minded as both, DJ and producer. His sound is constantly evolving without ever losing its vibrant, unique energy and the passion and heart he puts into his sets. His gigs are an audio-visual adventure where he is not only playing for the crowd but rather performing for and with them. ~ Figure Music

̸BIOGRAPHY Little Dragon is an electronic music band, based in Gothenburg, Sweden. It consists of Swedish-Japanese singer Yukimi Nagano (vocals, percussion) and her close high-school friends Erik Bodin (drums), Fredrik Källgren Wallin (bass), and Håkan Wirenstran.. Little Dragon is an electronic music band, based in Gothenburg, Sweden. It consists of Swedish-Japanese singer Yukimi Nagano (vocals, percussion) and her close high-school friends Erik Bodin (drums), Fredrik Källgren Wallin (bass), and Håkan Wirenstrand (keyboards). The first Little Dragon's release was a double A-side 7’’ single ‘Twice’/’Test’, released on Off The Wall label in 2006. The following year, the band signed with the larger British indie Peacefrog Records and released their debut self-titled album Little Dragon on September 3, 2007.[1] Since then they have been touring through Europe and also have made music videos for the songs "Test", "Twice", "Constant Surprises", "After the Rain" and "Fortune". Double A-Side single "Fortune / Blinking Pigs" is released in the UK on January 26, 2009. Their song "Twice" was featured in Season 5 of ABC's Grey's Anatomy.

Simbiatu “Simbi” Abisola Abiola Ajikawo says it herself when she puts on her superheroine mask and goes by the name of Little Simz: “I’m Jay-Z on a bad day, Shakespeare on my worst days”. And on that pernicious Venom that pollutes GREY Area from the very core, she concludes that some people will never acknowledge her as the best just because she’s got ovaries. Those who have recognised her worth get a mention: Jay-Z, Mr Lamar and the woman who knows all about being a woman, black and furious, Lauryn Hill. And let’s not forget the Mercury Prize judges who nominated her for her third LP. Not bad, huh?

Based in Düsseldorf, Germany, Loco Dice is a house DJ/producer with minimal leanings who is affiliated with labels including Four:Twenty Recordings, Ovum Recordings, Cocoon Recordings, M_nus, and Cadenza, as well as the label he founded with production partner Martin Buttrich, Desolat. Born Yassine Ben Achour in Tunisia, he began his career in the early '90s as a rap MC/DJ named Dice'C. As such, he experienced some modest success in his German homeland, for instance releasing the 12" EP Coming from D-Town (1996) on Flavour Records and opening for big-name rap/R&B performers such as Snoop Dogg and Usher. In time he switched from rap to house music and changed his name to Loco Dice in the process. He in turn secured a residency at the Düsseldorf club Tribehouse, where he met superstar producer/DJ Timo Maas, who signed him to his Four:Twenty Recordings label. ~ AllMusic

̸BIOGRAPHY Producer, DJ, A&R for iconic British indie label Ninja Tune & label head of new womxn focused !K7 imprint SOS Music - London born Los Angeles based Maddy Maia has many strings to her bow, and makes dark, romantic, acid infused house. After racking up hours behind the decks in darkened basements and rooftops of Los Angeles and London respectively, Maddy Maia has become a key tastemaker in the Los Angeles electronic music, and also holds the position of VP A&R for iconic British independent label Ninja Tune as her day job. Maddy Maia founded SOS Music in 2020 with DJ Tottie after the pair met in LA. After discovering a shared love of diverse underground music, Maia and Tottie’s bond grew strong via throwing events, hosting a monthly radio show and later DJing as Sisters of Sound. The SOS Music imprint was the natural next step in the pair’s progression as curators. Recently signing a label deal with !K7, its goal is to seek out diverse underground talent and amplify their voice or community, whilst championing diversity on all sides of the industry. Maddy's music influences and styles span wide across the spectrum of experimental dance music, ranging from leftfield house, italo disco, orchestral ambient sounds, not forgetting a nod to her youth growing up in the UK rave scene. Her first single is out October 23rd 2020 via SOS Music.

Ladies and gentlemen, Major Lazer has arrived. That epic dancehall collaboration from DJ/producers Diplo and Switch, and a slew of guest contributors like M.I.A., Santigold and Amanda Blank, it’s a hit! Shit, it’s bigger than that. It’s one of the most epic projects to hit music in the last decade, moseying its way into the mainstream like a maverick at high noon. And hundreds of sweat-drenched, flush-faced audiences can attest to this point. Fronted by a cartoon zombie-slaying Jamaican soldier the Major Lazer experience is beyond surreal. It’s a freaky sideshow brought to you by two of the scene’s biggest and brightest talents who bend genres onto themselves with seamless ease, swarming pop culture with an outlandish outpouring of mayhem that spans from absurd live shows to chart-smacking bangers with breakthrough performances worldwide. From festivals to clubs to legendary Carnival parties, Major Lazer is making it’s mark like a red-hot branding on the face of modern music. Sure it stings but oh it feels so good.,Having collaborated on M.I.A.‘s surprise hit “Paper Planes” and Santigold’s debut album, Diplo and Switch birthed Major Lazer from a shared appreciation for the Jamaican dancehall genre and spirit of the sound system. From there the two traveled to the music’s motherland, holed up in the legendary Tuff Gong studio and enlisted the help of a who’s-who list of Jamaican vocalists to produce an authentically twisted mashup of styles and influences. And so became such club staples as “Pon de Floor,” “Hold the Line,” and “Keep It Going Louder,” not to mention an onslaught of madcap remixes, videos and oh just a minor cultural phenomenon to lead the way.,Since, it’s been total world domination. A nonstop touring schedule, which included this year’s Coachella, Pitchfork and HARD Summer festivals as well as a frenzy of shows across the globe from London to Kuala Lampur. A recent collaboration with British electro-pop outfit La Roux on the Lazerproof mixtape and the upcoming Lazers Never Die EP—featuring the handy work of M.I.A., Collie Buddz, and Thom Yorke, among others—are set to make 2010 the year Major Lazer establishes its reign, dominating clubs with swift daggering dance moves into each stop’s, errr, gut.,Meanwhile, Diplo and Switch will return to Tuff Gong to resume work in the studio and record the next Major Lazer album as the world waits with anxious anticipation.

Introduction: Over the last 10 years Markus Schulz has fused the individual musical identities of progressive house & trance into his own creative, inimitable hybrid sound. Through the unique alignment of his headline DJ sets, Coldharbour label output and highly prominent Global DJ Broadcast show, he orchestrated a sea change revolution in the US trance scene – one that has gone on to have its sound influence sweep to the farthest reaches of the globe. This success has been singularly reflected in weekly headliner sets in front of many tens of thousands, a GDJB radio show listenership up in the tens of millions & one Beatport chart-topping release after another. Following several highly ranked positions in 2008 Shultz punched his way into the Top 10 of DJ Magazine’s Top 100 chart, landing at no.8. In repeating the exact same achievement in 2009, he now stands, quite unequivocally, as America’s no.1 club DJ.,Early History: Born in Eschwege, central Germany, Markus emigrated to the United States. Age 13, Markus’ dance music awakening came during the grip of the country’s then-exploding breakdance scene. His early production and DJ career roughly tracked that of the 2nd Stateside coming of House and he caught his first production break in 1993 when he remixed Sagat’s ‘Why Is It? (F** Dat)’ for Pete Tong�s FFrr label. Markus’ freshman production release followed in 1994 with the 6-track-strong ‘Plastik Trax EP Vol 1’. Throughout the mid to late Nineties he continued to pull in early acclaim with a range of releases on numerous US luminary labels. In 1998 he recorded ‘You Won’t See Me Cry’ for Plastik Records (his first label), a release which was picked up by Eve Records for the UK. This became Markus’ first international calling card… the world had started to tune in.,Markus Schulz – The DJ: Through his natural audience affinity, flawless (and seemingly effortless) mixing and innate tune selection, he has wowed crowds in pretty much every major district, principality and metropolis. Schulz’s DJ career has, to the greater degree, run parallel to that of his productions. In the early Noughties, having fixed focus on the hinterland between trance & progressive, he began to reach audiences further and further afield. In 2004 he was signed to the David Lewis Productions agency (also home of the World’s No.1 DJ Armin Van Buuren) and his career took another big step forward. Now a regular fixture at the world’s biggest & most famous clubs, arenas and festivals, he lays down his unique trance-progressive vision on a weekly basis. In Europe, he’s smashed Trance Energy, Nature One & Dance Valley, worked tent-pegs loose at Creamfields & Global Gathering and brought gridlock to the Love Parade. Stateside the colossal Electric Daisy & Ultra Festivals have both felt the Schulz pressure and yet further afield still he’s induced floor upheaval in China and Australia (most recently at the Future Music Festival). After several significant showings in the Top 100 DJs chart, he now ranks as one of the top 10 DJs in the world and in 2008 was voted Best American DJ at the International Dance Music Awards.,Coldharbour Recordings: Schulz’s sound notably came quickest to the ears of continental European DJs. Following the formation of the Armada group in 2005, Armin sought Markus out and asked him to start compiling tracks for a new vinyl series. The Coldharbour Sessions EPs launched in 2004 (with the first 3 releases coming out on the already established Electronic Elements label). In quick succession they began to leave crater-like impacts on dancefloors and within 12 months Coldharbour the label was born. Named after Markus’ then-production base in London’s Coldharbour Lane, its output immediately brought a new fission sound to Armada. It also became a lightning rod for a new generation of prog-inclined producers – setting in motion the careers of (amongst others) Santiago Nino, Probspot, Mark Otten & Niklas Harding. With 2005 under the spell of Coldharbour’s more sophisticated, minimal, but still melodic take on the prog-trance sound, Markus struck again with the first Coldharbour Sessions mix compilation. Such has been the success of the imprint that in 2007 it was joined by a sub-label, Coldharbour Red. This, in turn, was a launch pad for Marcus Schössow, tyDi, Glenn Morrison & Evol Waves and was the point of re-entry for early Schulz side-project, Dakota (see Dakota section below). Six years after its birth, in 2010, Coldharbour stands at the top tier of the world’s trance & progressive labels and has reached the threshold of its 100th release.,M.S. Productions 2005 – 2010: Perfectly intersecting the quality/quantity axis, Markus’ own productions have been the most fundamental of components in marshalling clubbers and music lovers to his sound. Over the course of the last half-decade tracks like ‘First Time’ & ‘Without You Near’ (2005), ‘Fly To Colours’, ‘Never Be The Same’ & ‘I Am’ (2007) ‘Perfect’ & ‘Cause You Know’ (2008) & most recently ‘The New World’ & ‘Do You Dream’ have each played their vital part. Markus is also a keen production collaborator. In 2005 he famously teamed up with likeminded producers Gabriel & Dresden and Departure for ‘Without You Near’ and in mid-2008 did the same with Andy Moor on ‘Daydream’. The impact of all the singles has been cauterized by his studio albums ‘Without You Near’ (2005) & ‘Progression’ (2007). Schulz is currently recording his third long-player, which is scheduled for release between Qs 2&3, 2010.,The Global DJ Broadcast show: Now in its fifth year Schulz’s GDJB has continued to be a beacon for an always-growing throng of trance & progressive dance fans. Broadcast through leading station DI.fm and Sirius/XM satellite, the Global DJ Broadcast site and 50+ other FM & internet stations around the planet, it has become every bit required listening for the EDM-savvy. Based on a regular format, the first show of each month is a two hour long mix from one of Schulz’s rolling World Tour gigs – ones that have of late included Medellin, Columbia, St Petersberg, Russia & Amnesia in Ibiza. Subsequent shows in the month feature Markus mixing his broad-span pick of the current electronic dance music best for an hour (which includes the forum-voted Global Selection track of the week) followed by guest mixes from both established and up-and-coming DJs.,Markus Schulz – The City Albums: Markus is also responsible for one of the longest running and most respected compilation album series in trance/electronic dance history. Kicking off in 2005 in Miami, its city-hopping concept has gone on to spotlight Ibiza in ’06, Amsterdam in ’08 and Toronto in ’09. Providing a microcosmic view of his now instantly recognisable sound, they have become cornerstones for fans CD & mp3 collections, with each new travelogue edition bringing in a fresh wave of supporters. Notably, the Amsterdam ’08 release was nominated for an IDMA award for Best Full Length DJ Mix (in the same year that Markus took home the trophy for Best American DJ).,Remixes: Markus powered into remix action in the early 90s with a 30+ volley of high-profile reworks. Over the course of the decade he re-tooled the production works of Euro dominators like The Real McCoy & Technotronic, house masters & divas Armand Van Helden & Liz Torres, legendary Nineties icons RuPaul, Bette Midler & Sandra Bernhard and fully-fledged A-listers like Madonna. As the Millennium arrived though he began to work on deeper, more intrinsically electronic dance fare… In 2000 he remixed trance innovator Pablo Gargano’s ‘Absolution’, PQM’s Renaissance classic ‘The Flying Song’ and Fatboy Slim�s ‘Sunset (Bird of Prey). Satisfied that he’d found the right dance strata to focus on Markus has gone on to rewire tracks by Oceanlab, Motorcycle, Dance 2 Trance, Cosmic Gate, Nalin & Kane, Kyau & Albert, John O’Callaghan, & Space Manoeuvres amongst many, many others.,Markus Schulz aka: Dakota: Markus has only made rare use of pseudonyms through his career – seeing them as being only valuable if they represent an outlet for something other than his ‘regular’ output. At the turn of the last decade Schulz released 3 tracks (‘Swirl’, ‘Frozen’ & ‘Lost in Brixton’) under the moniker Dakota. Over time these became focal points for the year-on-year exponential intake of new fans. In 2009 Schulz paid dividend to that by resurrecting the guise, updating its sound and directed his attentions on a whole album of new Dakota material. ‘Thoughts Become Things’ was the end product and with it came a route diversion that went into a new valley-deep sound – one that expanded to embrace the fringes of techno, house and other sub-genres. It once again fortified the Schulz’s fanbase and expanded the range of DJ support for his music. The album has thus far justified 7 single releases that have included particular fan-favourites ‘Chinook’, ‘Johnny the Fox’, ‘Koolhaus’ & ‘Mr Cappuccino’.,Prepared by Tim Stark.

Martin Garrix – the name that belongs to one of the youngest and most successful DJ’s/producers championing the pop and electronic scene. Garrix has taken his expertise across the globe, by headlining festivals, breaking through territories, and collaborating with major stars including Dua Lipa, Khalid and Bono, and The Edge. Climbing yet another rung of his ladder to stardom, he is a founder of his very own label (STMPD RCRDS), owner of a studio complex in Amsterdam, and a mentor to upcoming artists. Now in his mid-twenties, multiple years into a career that began by debuting the single ‘Animals’ back in 2013. The invigorating, dance-floor stomper soared to the top of the charts worldwide, ultimately altering the status of what would be considered popular music. Continuing his voyage to conquer the mainstream catchment area over the years, Garrix has become responsible for providing us with infectious and anthemic dance and pop records alongside a string of memorable collaborations; ‘In The Name Of Love’ with Bebe Rexha, ‘Scared To Be Lonely’ with Dua Lipa, ‘Ocean’ with Khalid, ‘Summer Days’ with Macklemore and Patrick Stump, and ‘We Are The People’ with Bono and The Edge. There’s no doubt that this ability to reinvent his brand and fearlessly experiment with his sound is an undeniable testament to his talent and longevity, ultimately driving his legendary narrative even further.

Headed by Blair Suarez, Adam Myles and Omar Guedar, Mason Collective are the dynamic trio rising through the underground music scene with their signature high energy grooves and explosive DJ sets. A breakthrough 2018 saw them play at some of the UK’s best venues and festivals including Creamfields, Parklife, WHP, Canal Mills and Studio 338. The Collective also made their European debut in Ibiza, Sonar and Hideout festival. MVSON events, each with a unique theme and dress code have rapidly grown to become one of the most renowned underground parties in Manchester. With a loyal following, the brand is now expanding across the UK and hosting various takeovers and festival stages. Fashion is a focal concept among The Mason Collective and their creative vision and distinct style have led to national campaigns and collaborations with Adidas, Footasylum and Gramm.

From the solitude of volcanic Mount Etna to stages around the world, melodic techno duo Mathame writes songs that inspire a generation of producers, and transports fans to heights that are out of this universe. Brothers Matteo and Amedeo Giovanelli conjure magic with emotive and cinematic soundscapes, crafting sci-fi worlds and ethereal energies that linger in the air like candles in a great cathedral. After several hits on Afterlife Recordings, Mathame sees having a very song craze in the electronic music industry, In march 2020, Mathame released their very first single ‘Never Give Up’ via B1 Recordings/Sony which was awarded ‘The Essential New Tune’ accolade by BBC Radio 1’s Pete Tong, 
 In June 2020, Mathame launch ‘Never Give Up’ remixes and invite worldwide class artist to remake their incredible single such as Diplo, Lost Frequencies, ZHU, Adriatique and Vril. Following this, Mathame return the favor with a remix of ZHU’s September single, “Risky Business.” 
 In October 2020, the two brothers dropped out their “Far, Here, Nowhere” Essential Mix for BBCR1, then the mix got nominated as the Essential Mix of the year.

Matrix & Futurebound are a British drum and bass duo consisting of Jamie Quinn (Matrix) and Brendan Collins (Futurebound). They have had four top 40 hits on the UK Singles Chart; "All I Know" peaked at number 29 in 2012, "Magnetic Eyes" peaked at number 24 in 2013, "Control" peaked at number seven in 2014 and "Don't Look Back" featuring Tanya Lacey which peaked at number 38 in 2014.

Born in Geneva in 1976 and of Spain origin, David Mendo started his dj career at the age of 15. Strongly inspired by his Iberican culture, his musical style was immediately noticed and his House Music sets.,When world famous Dj/producer George Morel approaches him, Mendo signs with his Miami-based label Groove On for titles such as Do it, Everybody I got him. Morel and Mendo soon become associates, in production as well as the label.,Beginning 2002, his single Tell me (Groove On, Audio Recordings) featuring Christie K., reaches a No. 1 position in Dj Mags Hype-chart (UK), as well as in Radio Italia Networks Suburbia Chart.,Mendo also works with his inseparable friend Chab and remixed the first single produced on Chabs label “Imago Records” (Chab Get my love Mendo remix Imago 2000),He then signed 3 releases on Stereo Productions, including the club anthem “Watermelon”, a Stereo Productions’s all-time best-seller.,In 2003, Mendo and Chab begin their project “Clarisse records” and produce the single ‘Play Me With Your Sound’ with remixe by Chus & Ceballos, receiving full support all through the industry. This resulted into the track being purchased by Roger Sanchez to be released under his label Stealth Records.,Since then, Mendo is releasing regularly on his own Clarisse Records, with collaborations/remixes with Tom Stephan, Kamisshake, Richie Santana… etc,In 2009, Mendo made the “Remember EP” on Cadenza Records. A highly expected release by many DJ’s for a while now. Luciano keep on playing it since a few months and both tracks always recieve mad reactions from crowd all around the world.,SUPPORTED BY LUCIANO, LOCO DICE, REBOOT, TOBI NEUMANN and many others..,Frensh BIO :,MENDO – www.myspace.com/djMendo,Mendo commencé sa carrière de Dj à l’age de 15 Ans, inspiré par la culture Ibérique, il se tourne naturellement vers la House music.,Doué pour la production, il ne tarde pas à se faire remarqué par le célèbre Dj House : George Morel et signe en 2000 sur le label de celui-ci (Groove on) le titre « Everybody i got him »,En 2002 son titre « Tell me » featuring Christie K devient n° 1 dans Dj Mags (UK).,En 2003 il crée son propre label Clarisse records.,En 2009, tout s’accélère, il signe sur le label « Cadenza » le titre « Remember EP » qui sera joué par Luciano.,Aujourd’hui il est entré à Stealh records, label de Roger Sanchez et Viva Music, label de Steve Lawler.,Supporté par Loco Dice, Reboot, toby neuman et considéré par Eric Morillio et Luciano comme le meilleurs producteur 2009,,Mendo n’a pas fini de faire parler de lui…

Born Pedro Maia, Mochakk is a 22-year-old sensation whose thrilling persona behind the decks matches his prolific production. Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music. After discovering house music in particular, he became a dedicated student of the genre and used that to his advantage as he progressively made waves in his home country of Brazil, both as a meticulous producer and mesmerizing performer. In recent months, his presence has gone global as he’s embarked upon an expansive North American tour with multiple sold out dates in tow, dominated a laundry list of festivals internationally, done B2B sets with the likes of Vintage Culture, and is now headed toward a slot at the church, Circoloco this summer. With standout releases like “False Need” via Black Book alongside an exponentially growing fanbase with over 1 million followers, not to mention a smash forthcoming remix for The Martinez Brothers.

Monika Kruse is a German techno DJ/producer and record label owner, with a career in electronic music spanning more than 25 years.

Nina Kraviz is one of techno’s most iconic DJs. Famous for both her dynamic and varied DJ sets, captivating performances and her acclaimed label трип (Trip), she’s been a techno powerhouse since she launched on the scene in 2009. In 2020, she played a series of live stream events and virtual festivals including an empty Dance Arena at EXIT and even on top of Mount Olympus in Greece. She also collaborated with streaming giants Spotify when she was chosen to be part of their trackID series, providing a regularly updated playlist to the platform that includes tracks from her own label as well as a diverse collection of releases from across multiple genres. That genre-hopping is also evident in her sets, where trance, techno, ambient and hardstyle can all be heard in one swoop, with her inimitable presence in the booth adding to the allure of Kraviz’s sets. As the DJ who played the most sets of any other in 2018, we’re sure she’ll be the first to hit the road again once it’s safe to do so. ~ DJMag

Oliver Heldens holds on to a place in the top 10 for another year. It’s hard to believe the Dutchman is just 25 years old, given how much he’s already achieved. At just 19, he scored a UK No. 1 with ‘Gecko (Overdrive)’ — the vocal version of his already popular track, featuring singer Becky Hill — and landed in the Top 100 poll for the first time later that year in 34th place. Since then, he’s released numerous hit tracks, launched his highly popular Heldeep label, taken over festival stages all over the world, and doubled-up his success via his more bass/tech-house-focused alias HI-LO.

̸ BIOGRAPHY Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it Overmono were on a roll before lockdown. As the top YouTube comment for their Joy Orbison collaboration track ‘Bromley’ put it, “so this is the track that was on every 5 minutes at Warehouse Project. ”That track and the duo’s own ‘Le Tigre’ were played out constantly by the likes of Four Tet and Ben UFO, the former also hiring the duo to remix his track ‘Teenage Birdsong’. Then there are their edits. Thom Yorke was so impressed by the duo’s versions of ‘Not The News’that he let them release the tracks on their own Polykicks label. Add to that their cheeky version of Rosalia –‘A Palé’,which caught the ear and the eye of the respected flamenco artist, as well as being a highlight of their live performances pre-lockdown. Then the world abruptly stopped, all their forthcoming gigs were cancelled and suddenly Overmono were able to fully commit their energy to their legendary Bromley studio. It’s was during this time that the duo feel they’ve been able to realise exactly what Overmono’s music should be. “Our work together had so far been about exploring and defining what Overmono is... and we feel like we’ve got this now”.

With a career spanning more than 20 years, Paco Osuna is one of the most renowned artists in the industry. His creativity, courage and relentless search for new forms of expression are some of his principal and consistent virtues when it comes to making music. On the dance floor, he is lively, intelligent and sophisticated, with a deep awareness for sound aesthetics. Every session is important to Paco and he sets out to invent and renew every time he steps onto the stage. Throughout his career Paco has performed at clubs, parties and festivals of great prestige. The list of events in which he has played is endless, and is one where quality is more important than quantity. From Fabric London to WOMB Tokyo, passing through Space NYC, Space Miami, Verboten New York, Watergate Berlin and Electric Brixton London. Meanwhile, Sónar, Awakenings, Dockyard, ADE, Neopop, BPM, Electric Zoo, Movement Detroit, Time Warp and Tomorrowland are some of the many festivals he has played. ~ Soundcloud Artist Profile

It can be the similarities between two people that draw them together, but it's the differences between them that create something special. It would be nothing if those two polar opposites failed to meet in the middle. Such is the story of Pan-Pot.Pan-Pot

For more than two decades, the world has known Paul Van Dyk as one of Germany’s most successful musicians and as one of the ultimate superstars of electronic music. As an artist, DJ and producer, Paul has surpassed various milestones over the course of his career, including having sold more than 3.5 million albums and being twice voted the world’s No.1 DJ. He has remixed the likes of Madonna, Justin Timberlake, U2 and Depeche Mode. Earning a Grammy nomination and accepting the “Order of Merit” from the state of Berlin are just two of Paul’s numerous accomplishments and accolades for his talents.,His sensational DJ sets attract expansive crowds on every continent. Not only does van Dyk fill the world’s best-known venues, but every year he transforms New York’s Central Park into a unique open-air festival.

Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from the murky house through dark side techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

PAWSA is a name that has consistently emerged from the burgeoning house and techno scene in recent times. The London-based producer kickstarted his remarkable rise with a bonafide EP on the renowned Lost Records in 2014. The appropriately named 'Pilot’.. Picking up steam, PAWSA received the firm backing of industry stalwarts Green Velvet and Nicole Moudaber who both locked down EP's from the innovative producer on Relief Records and Mood Records respectively. Further to that, he can also call upon the likes of Adam Beyer and Pan-Pot as staunch supporters. These early successes further cementing the feeling that PAWSA is a producer destined to make a lasting impact. In 2015, PAWSA co-founded Solid Grooves Records alongside Michael Bibi and with the underlying motif of "let the music do the talking”, the label provided a firm base for PAWSA's latest EP ‘Stage Two’. The sister company to the much vaunted Solid Grooves club night with regular happenings in London, Ibiza and Berlin, the label has been an important string to the bow of PAWSA. PAWSA's signature sound - inventive tech house with an old school vibe - is decisively made for the dance-floor. As a DJ he lays down carefully curated and atmospheric sets. The producer identifies with also being a DJ in the most natural, traditional sense: he makes music which he can play out and share with a crowd. PAWSA regularly performs at esteemed clubs around Europe and held a much talked about residency in Sankeys Ibiza throughout 2015. Alongside all of this, PAWSA also turns his own magical and much loved ‘PAWSA's Mixtape Series’ and some top weekly tips for producers and DJs alike via his ‘Groover Essentials’ series. PAWSA is one DJ who is letting quality records do all the talking and at the outset of 2015, few are coming close to his consistency and indisputable calibre of his productions. With plenty more planned for 2016 and beyond, PAWSA and his team have a lot in store to extend their impact on the musical landscape.

̸BIOGRAPHY To book Perc for a dj or live set please email chris@elitemm.co.uk From his earliest demos to his current position as a key figure in the global techno scene Perc (aka Ali Wells) has taken the established forms of the music he loves and twisted them.. Perc is one of electronic dance music’s reference points: an internationally touring DJ, label owner and one of the most respected producers in techno today. Known as one of the most forward-thinking individuals in techno Perc (aka London based Ali Wells) fuses current sounds with his extensive knowledge of electronic music’s past to create something new & unique. A regular artist on such scene-leading labels as CLR, Kompakt, Drumcode, Stroboscopic Artefacts and Ovum as well as his own world-reknown Perc Trax imprint, Perc is as uncompromising as he is unique. As a DJ, Perc has taken to the decks across the world in seminal clubs such like Berghain, Fabric, Cocoliche in Buenos Aires, Space Ibiza, Tresor, Unit in Tokyo and many more. His sound is a fusion of the cream of current techno mixed with choice selections from electronic music’s forefathers. Production-wise the last few years can be described in two words 'Wicker & Steel' - the title of Perc's debut album, released on Perc Trax in June of 2011 and which has lifted him to a new level of respect and recognition. In the last year Perc has diversified with remixes for Factory Floor on DFA, Black Asteroid on Electric Deluxe, Mike Parker on Edit Select and Oscar Mulero on Warm-Up, plus two EPs; the searing statement of intent that is ‘A New Brutality’ on Perc Trax and Guardian single of the week ‘Pure & Simple’ on Sleaze. This coupled with his busiest ever year of gigs including debut appearances in Argentina, Australia, Singapore and Finland has meant his sound is better known and more influential than ever before. To book Perc for a dj or live set please please email chris@elitemm.co.uk www.facebook.com/perctrax www.twitter.com/perctrax https://instagram.com/perctrax/ www.discogs.com/artist/Perc ̸SELECTED DISCOGRAPHY Singles I Make Nuclear (12") Easy Access 2002 Morning, Evening & Afternoon / Closer (12") Premier Sounds 2003 Ice Cream For Kenton (12") Perc Trax 2004 Premier Remixes Vol 1 (12") Premier Sounds 2004 Biscuits For Breakfast (12") Dorigen Music 2005 Biscuits For Breakfast (12", W/Lbl) Dorigen Music 2005 Splashy (12") Perc Trax 2005 Strange Ways EP (12") Barbarella Music 2006 The Razor EP (12", EP) Perc Trax 2006 Naughty Gold EP (12", EP) Perc Trax 2007 Skid Grease EP (12", EP) Perc Trax 2007 Speicher 52 (12") Kompakt Extra 2007 Sticklebrick (12") Drumcode 2007 Remixes Feel This (12") Feel This (Perc Mix) Silver Planet Recordings 2001 Turned (12") Turned (Perc Remix) Easy Access 2001 A Dark Purpose (12") A Dark Purpose (Perc Mix) Midset Recordings 2002 My Groove (12") My Groove (Perc Mix) Premier Sounds 2002 Renaissance (12") Renaissance (Perc Remix) Limbo Records 2002 Renaissance (12") Renaissance (Perc Remix) Resurrection (2) 2002 All Access Volume 1 - Soundtrack To Club Culture (CD) Destination (Two Tonig... Hi-Bias Records Inc. 2003 Cox EP (12") It's U (Perc Remix) 19Box Recordings 2003 Cox EP (12", W/Lbl, Promo) It's U (Perc Remix) 19Box Recordings 2003 Destination (Two Tonight) (12") Destination (Perc Remix) Premier Sounds 2003 Solid Sounds Anno 2003 Volume 02 (2xCD) Aeon (Perc Remix) 541 2003 Underground Beats (Series 6 Volume 9) (2xCD) Destination (Two Tonig... CD Pool 2003 Feels So Good (12") Feels So Good (Perc's ... Perc Trax 2004 Hostile Ground (12") Hostile Ground (Perc R... Source Of Gravity 2004 Beta Blokka EP (12", EP) Beta Blokka (Ali Perc ... Punch Funk Records 2006 Fruitmachine (12") Fruitmachine (Perc Remix) Kickin Records 2006 Pink Body (12") Pink Body (Perc Remix) Perc Trax 2006 Remixed (12") Buttersaure (Perc Remix) Kickin Records 2006 Star (Re-Work) (12") Star (Perc Remix) Barbarella Music 2006 Gamma (CDr, Maxi, Promo) Gamma (Perc Remix), Ga... Kickin Records 2007 Live In Zurich // Rohstofflager (CD, Promo, Car) Buttersäure (Perc Remix) C.L.R. 2007 We Are Alive EP (12", EP) We Are Alive (Perc Remix) Tectuo 2007 You (CDr, Promo) You (Perc Dub) Used & Abused 2007 You (12") You (Perc Remix) Used & Abused 2007 Witch Kraft EP (12", EP) Witch Kraft (Perc Remix) Tendenzen Freier Entfaltung 2008

There are few individuals in the world of dance music who can claim the kind of influence Pete Tong has had over the last twenty years.Pete Tong

Polo & Pan was born under the stars in 2012, shortly after there orbital collision of two satellites : Polocorp & Peter Pan.

Over the last few years, Purple Disco Machine has emerged as one of the leading electronic producers of a generation. With over 650 million streams across his catalogue to date he continues to live up to the hype of #2 Beatport Artist of All Time. Purple Disco Machine is also one of the most in-demand remixers and has worked with high-profile artists Lady Gaga & Ariana Grande, Calvin Harris, Mark Ronson, Dua Lipa, Royal Blood, Sir Elton John, Foals, RÜFÜS DU SOL, Jax Jones, Gorillaz, Fatboy Slim, Two Door Cinema Club, New Order and Claptone among many others. ~ Soundcloud

RayRay is Taiwan’s finest (and loudest) musical export and is dropping pins across the global electronic music map. The bass music extraordinaire is always close to the most enviable sonic spots and playing gigs at premier festivals like Glastonbury, ADE, Tomorrowland and Sonar. RayRay took to the sonic realm from very early on, where a true love story with sculpting beats unfurled when she was just 17. Initially on the hip-hop tip, she organically gravitated to the electronic music cartel, making her a diverse addition to the ever-evolving music industry. Today RayRay is an artist always in flux and is anything but generic—she has fueled a fierce open format style that is an intricately textured amalgamation of hip hop, EDM, Miami bass, tech house, trap and drumstep.

Generally billed just by her first name, Rebekah Teasdale is a DJ and producer from Birmingham, England who has been active since the mid-'90s. Like most figures of the Birmingham techno scene, her tracks are often hard, dark, and minimalist, with heavy pounding beats and gradual suspenseful development. An avid clubgoer since her youth, she began spinning records in 1996, at the age of 16. She spent several years as a model in order to provide financial support for her DJ career. She released an edit of the Mighty Dub Katz's house anthem "It's Just Another Groove" in 2004, but her first original productions, starting with 2007's "Toad in a Hole," were minimal tech-house. By the early 2010s, her sound had gotten darker and heavier, and she eventually caught the attention of Chris Liebing, who released Rebekah's Cycles EP on his CLR label in 2013. ~ AllMusic

Red Axes is a project created by Tel- Aviv Based producers & DJs Dori Sadovnik & Niv Arzi.Red Axes

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.

Richie Hawtin played an essential role in developing the sound of minimal techno, as well as spreading its popularity throughout the global club scene. Most famous for his experimental acid techno productions as Plastikman, including the classic albums Musik (1994) and Consumed (1998), he is equally well-regarded for his groundbreaking live sets and mix CDs (especially 1999's Decks, EFX & 909) which utilize cutting-edge DJ technology, fusing loops of techno records with additional synthesizers and drum machines. Initially based in Windsor, Ontario and connected with the techno scene in nearby Detroit, he co-founded the highly influential Plus 8 (and its harder sublabel Probe Records) along with John Acquaviva, later establishing Minus and relocating to Berlin during the early 2000s, just as minimal techno began receiving mainstream exposure. Hawtin has continued pushing the limits of technology, developing highly conceptual events which are often intertwined with the art world. ~ AllMusic

Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances. He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (Miami). KAPPA Future Festival (Italy) and Love Family Park (Germany). ~ Soundcloud

San Proper (preferably known as Dr San Proper) is an undeniable staple in the Amsterdam music scene with a legacy built on his unique and unpredictable approach to music and larger than life personality. His tireless dedication to the city and key ties with local institutions such as Trouw, Rush Hour, Dekmantel and Red Light Radio have made him somewhat of an unofficial mascot to the city. San's warm and extravagant character is felt through his wholehearted productions and electrifying DJ sets. The Amsterdam native has a rich history in music stretching back to his days as an axeman in a number of bands in which collectively gained considerable popularity. San has maintained his DIY approach within his musical dna still possessing a high octane, rock n roll attitude whether it be producing or playing records. His first solo productions found a home with the prestigious Rush Hour Records (back in the mid-2000 ’s) and it was there he released an array of EP’s, becoming a key and valued member within the Rush Hour family. The following years would see San release on a number of highly influential labels, perhaps most importantly Dekmantel records where you can regularly find his name included within their many projects. Aside from gaining success with his productions, San Proper became widely recognised as a diverse selector and an artist with an undeniable talent as a showman. His DJ sets show his ability to play soul, funk and hip-hop as comfortably alongside rock, dub, disco, and house. His ear and passion for soul and funk is channeled through his monthly 'Dr San Proper Soul Show' on Red Light Radio, which he hosts in his very own unique fashion. With so many strings to his bow, it's easy to understand why San Proper is such a highly in demand selector that has touched audiences on every major continent performing on the grandest of stages but still always finding time for his underground roots.

Sasha Carassi is one of those artists who exudes the air of a seasoned veteran, but this is not just because of the years he has been making noise in the industry; it’s his unparalleled skill and work ethic that places him in such a revered position.,2010 was a seminal year for Sasha, as he managed to rise above the flux of producers hailing from his native Napoli. By leaving his mark on labels such as Drumcode, Harthouse, Sleaze, Respekt, 8 Sided Dice and many others, he established himself firmly in the world of serious Techno which nods slyly to the dark side.,All of this well-deserved hype brought on remixes and collaborations with the likes of Joseph Capriati, Brian Sanhaji, Spektre, Virgil Enzinger and others who, along with Sasha, lead the way in this scene.,Sasha Carassi’s plan could not be complete without his Techno love-children, Globox Recordings and Phobiq Recordings. Artists such as Brian Sanhaji, Spektre, Slam, Adam Jay, BCR Boys, Matador and a slew of talented producers pushing the Techno envelope have all graced the labels over the past few years.,No stranger to the road, Sasha has been a staple in major festivals and prestigious clubs worldwide, with the added bonus that you can catch him showing off his skills on the decks with actual vinyl, since he himself has been an avid collector since the late 80s.

A self-taught producer, London's SBTRKT -- aka Aaron Jerome -- mixes elements of dubstep, 2-step, garage, house, soul, and techno into a bass-heavy blend of flowing melodies and intricate percussion. The project's name was intended to remove the identity of any one person from the music, and SBTRKT even performed with a mask on to preserve that concept. After years of honing his craft, in 2009 Jerome sent tracks to DJs including BBC Radio 1's Graeme Sinden and Mary Anne Hobbs, who made singles such as "Nervous" into radio hits. SBTRKT's remixes for M.I.A., Basement Jaxx, and Underworld, among others, also met with success, as did his self-released singles Timeless and Right Place. He also issued a pair of singles for the enigmatic Brainmath label, LAIKA and 2020, as well as the Break Off/Evening Glow single for Ramp Recordings, which featured Jerome's frequent vocal collaborator Sampha. SBTRKT's first gig was at the famed Fabric club; he also DJ'ed at the club Plastic People, where he met an A&R rep from the Young Turks label, which released the Soundboy Shift EP in 2010 and the Step in Shadows EP and his self-titled debut album in 2011. One of its singles, "Wildfire," featured Little Dragon vocalist Yukumi Nagano and caught the ear of rapper Drake. His remix of the song received airplay on New York's WQHT and Miami's WPOW. The year 2014 saw him release his sophomore album, Wonder Where We Land, along with a trio of EPs, Transitions I, II, and III. He returned in 2016 with Save Yourself, which featured contributions from the-Dream, Sampha, and Mabel.

Of course, the band’s route to success was not quite as simple as frontman H.P. Baxxter describes. Scooter have indeed worked hard on their career and – we should not forget – they have now been in the business for over ten years. The former techno trio, who fought their way through the discotheques with “Hyper Hyper”, has developed into a serious band that now fills arenas with 80,000 people, has sold over ten million records and whose list of gold and platinum discs just seems to be endless.,Did anyone expect this back in 1994 when the band was formed in its original line-up? H.P. Baxxter, Rick J. Jordan, Ferris Bueller and, not least, manager and label boss Jens Thele started small: The trio’s debut “Hyper Hyper” went straight into the charts – and was immediately passed off as a one-hit wonder. However, the critics and journalists spoke far too soon. The follow-up hits like “Move Your Ass”, “Friends”, “Endless Summer”and “Back In The UK” were all just as successful. Anyone who believed that Scooter just wanted ride on the wave of their first hit were very wrong. Fun was and is the driving force behind the trio, by far more than the pressure to succeed and live up to expectations.,This explains the phenomenon of Scooter seeming to re-invent themselves for almost every single. Constantly combining styles that others would strictly separate, H.P., Rick and Ferris employ their unbelievable creativity with a healthy portion of humour and irony. The result is electronic ballads, eighties-style electro tracks, melancholic songs like “No Fate” or “She’s The Sun” and the legendary techno rock monster “Fire” (1997), which still sends H.P.’s “Flying V” guitar up in flames each night on stage. New member Axel Coon also felt this when he replaced Ferris Bueller in 1997, as did his successor Jay Frog, who is still a permanent member of the trio today.,All band members have their own special roles: H.P. still writes all of the lyrics while Rick and Jay are busy with the playbacks in the studio. To keep Scooter’s hand in club scene, Jay has taken over the role of DJ and also mixes a set for the Kontor Radio Show every other week. Jens Thele, the man behind the scenes, is responsible for anything to do with organisation and Logistics. He is also the one to ensure the band gets back on track after any disputes.,If it wasn’t for this work distribution, Scooter would very probably not be where they are today. Twenty-eight singles and thirteen albums clearly show that Scooter are a lot more than just a project. All critics and doubters will have had to admit that by now too.,Scooter’s new single “Shake That!” sees the band take a brave step by placing H.P.’s shouts over pumping disco house music. This courage has also already been rewarded: “Shake That!” entered the charts at number eight – incidentally making it their seventh Top Ten entry in succession!,Scooter are now about to bring out their fourteenth album. And “Mind The Gap” has many new features to offer: The album will be sold in three different price categories for the first time. In addition to the basic version, which just consists of the simple disc (EUR 9.99), there is also a regular version (EUR 14.99) with a booklet, bonus tracks, video, a making of, photos and interview, as well as a deluxe edition (EUR18.99). The latter contains all the features of the regular version plus a bonus CD with eleven live tracks from the “We Like It Loud Tour 2004”.

Sharam Tayebi mans the turntables as one half of the Grammy award winning DJ/production duo Deep Dish. Characterized by a harder style than his partner Ali “Dubfire” Shirazinia, Sharam performs as Deep Dish featuring Sharam, when he takes to the road to deliver his signature half of the distinct Deep Dish sound.,Having recently completed a solo tour of Canada, Sharam was met by packed houses at some of the country’s top clubs, including The One Lounge in Victoria, The Plaza in Vancouver, Barrymore’s Music Hall in Ottawa, Stereo Club in Montreal, and Revolution in Kitchner. This highly successful tour just goes to show that whether performing together or solo, fans everywhere crave a dance floor-inspiring slice of Deep Dish.,Aside from his DJ/production duties, Sharam stays busy as co-owner, along with Ali, of Deep Dish Records, Yoshitoshi Recordings, and Shinichi Recordings. Collectively, the three labels are known for carrying some of the very best dance music in the world. The two also own the Yoshitoshi shop, Washington D.C.’s premiere electronic dance music record store.

Brother/sister duo Andy and Dorothy Sherman have spent the last five years refining their dynamic blend of soul-infused tech house, donning the edge and energy of their Caribbean and Dutch roots to give the dancefloors and airwaves a little kick that has otherwise been missing in electronic music. It started as they watched their family rise as 70’s R&B act the Sherman Brothers, and scaled into both siblings finding their own way to keep the Sherman legacy alive through modern times. Dorothy, a modern soul diva with some of the most unmistakable pipes heard in modern house, delivers true to her gospel and R&B roots at every turn. Andy, whose production and MC experience has scaled the UK garage scene and Dutch underground circuit alike, is now found setting the pace for Shermanology’s signature ‘soultec’ sound behind both the desk and decks. Together, they bring an energy and edge that not even the underground can ignore.

Owner of Taapion Records

Cameron Edwards and Joe Lenzie aka Sigma, have been making their presence felt on the drum and bass scene since 2007. From early releases on labels such as Charge and Viper Recordings, to the seminal All Blue on Zinc’s Bingo imprint (one of DNBA’s most downloaded tracks ever), the boys stepped up to the big time with serious dancefloor killers Paint It Black and the anthem El Presidente VIP.,With respect now gained with the scene as producers and highly sought after DJs, Sigma continue working to maximise their profile within the realms of D&B and beyond it. Highlights include their featured minimix for Annie Mac on Radio One, squeezing in 35 tracks in five minutes as well as remix work for artists such as Top Cat on Special Dedication, Ms Dynamite, and grime stalwart Skepta on Rescue Me (400,000 plays and counting). In amongst all the music and DJ gigs the guys found time to start their own label, Life Recordings, with debut release El Presidente VIP/ Something Special going on to be Nu-Urban’s highest selling release of 2009. They were also awarded Best Breakthrough DJs at the Drum & Bass Arena awards. A great way to cap off a successful year, and more recognition of Cam and Joe’s hard work and dedication to their craft.,With a new decade now here Sigma are intent on leaving their indelible mark etched permanently on the scene. Kicking off 2010 with Shut The Lights Off with Adam F and hip hop legend Redman, this is followed by their debut release for Breakbeat Kaos… The Stand Tall EP. Consisting of four tracks, it’s Sigma quality and Diversity all the way through. From the dancefloor stylings of Original Sin’s remix of Front To Back and brain thumping anthem The Jungle to the more melodic vibes on Baltimore and the vocodered vox on Stronger, The Stand Tall EP covers all bases. Confirmation of this is shown by the fact three of the EPs four tracks feature on the Ministry of Sound compilation CD entitled Mixed…. By DJ Friction, along with Paint It Black VIP. To add to all of this is the exciting collaboration with BBK head honcho and D&B legend DJ Fresh on Cylon. An unadulterated stomper of the highest order, Cylon, supported by the likes of Andy C and Goldie, is the lead track from Fresh’s latest long player Kryptonite.,What else to look forward to from Sigma? Well, there’s more episodes of their Life Podcasts. Utilising this wide reaching medium as a platform to further showcase their and other artists talents, previous guests include Goldie, Original Sin, DJ Fresh, IC3 and The Nextmen. Also keep an eye out for Sigma’s video diary on You Tube.

Active in the music and fashion business for more than a decade, Simone de Kunovich is associated with some of Milan’s most iconic parties and clubs. His eclectic selection and unconventional taste made him one of the key figures in the local scene as well as an active Dj internationally, with gigs in Berlin, Tel Aviv, Bangkok, New York, Paris, London and more. The upcoming year is gonna see him releasing a series of EPs inspired by his studies of 60/70s European cinema on Superconscious Records, the Australian label managed by Fantastic Man and Francis Inferno Orchestra.

Skin on Skin is an Australian-based DJ and producer from South Sudan, known for his unique music style of tech house and techno. He produced several successful projects, which caught international attention, including Burn Dem Bridges, Way Ur Touchin Me and Strangers. He has released music on notable labels such as Stay On Sight Recordings, Steel City Dance Discs, FFRR and Looking For Trouble. While not busy with productions, Skin on Skin performs worldwide, where he is known for his twisted DJ sets, which caught the of promoters such as Soenda, Into the Woods and Modular.

Sonny Moore, better known as electronic visionary Skrillex is part of a new generation of artists that refuse to be restricted by preconceived notions or outside expectations. After the successful independent releaseof “SCARY MONSTERS AND NICE SPRITES”, it became Skrillex's first release on Big Beat Records. Following its release on Beatport, the 9-song EP dominated the charts on the site, with the title track claiming the site’s #1 slot (the first time a dubstep track has ever done so). Aside from the immediate success of “SCARY MONSTERS AND NICE SPRITES,” Skrillex has also made a name for himself as a highly sought-after remixer. He’s already produced officially commissioned remixes for such A-list artists as the Black Eyed Peas (“Rock That Body”), Lady Gaga (“Bad Romance” and “Alejandro”), and La Roux (“In For The Kill”). Skrillex stands not only at the vanguard of electronic dance music, but the perpetually evolving new music industry as a whole.

Hailing from Manchester, production duo Mark Richards & James Eliot, collectively known as Solardo, are continuing the city’s rich heritage in house music.Solardo

After studying classical music in her youth, Sonja Moonear set aside the piano in favour of the turntables and bought a Roland R8. Surrounded by the Swiss mountains, Sonja immersed herself in the Geneva underground before finally infiltrating the ranks of the Weetamix residents in 2002. From that point on, participating in ever more ambitious projects, she was tapped by an international agency and started the road trip. Moonear slowly began collaborating with artists and friends like Luciano or Cosmic Chile Zürich, along with Dandy Jack as Junction SM. She has acquired an impressive international reputation, playing in clubs and festivals worldwide. In the last couple of years she has been releasing her own tracks and remixes on renowned international labels such as Karat and Perlon. She runs the label Ruta5 and organises various events in Switzerland as well as the growing Kiss Me festival.

Together with Laurent Garnier, Aphex Twin and Richie Hawtin, Rotterdam’s Speedy J helped define Techno since 1991 with albums like Ginger, G Spot, Public Energy No. 1 and Loudboxer – spearheading labels like Plus 8, Novamute and Warp. His latest proje..Speedy J

Steve Lawler is a definitive DJ and producer; a tastemaker whose sets combine quality house music with the power to move dance floors around the world. In the last few years, he’ wowed crowds in such far flung places as Zouk in Singapore, Groovejet in Miami, Twilo in New York and the mighty Space in Ibiza. Courtesy of home, he provided the most groundbreaking sets of the season for many of those lucky enough to hear him. After two months he had been crowned ‘King Of Space’ by the locals – a rare and well deserved honour.,You can find Steve behind the decks every Friday at Deep South @ home, where his 5 hour sets of twisted house are bringing a new lease of life to one of London’ biggest clubs. As well as guest spots at every pioneering club in the UK from Renaissance to Bedrock.,If one person had to be singled out for Deep South’ success it would be none other than top-class resident Steve Lawler. Whose mammoth five-hour sets of chunky house and intoxicating tribal progressive sounds have dragged him into the realms of the superstar DJ, and the club into one of the clubbing success stories of the year. But modest as ever, Steve puts it down to a combination of factors:,“I wouldn’t accept that it’ all down to me,” understates Lawler. “There are a lot of people involved in making that night good. I just do what I do.”,Steve Lawler hails from the Midlands, yet there is something distinctly non-territorial in his work. Although loving the atmosphere in the big Saturday nightclubs (he’ an ex-resident at Cream), Lawler also refuses to pander to any punter wherever he’ spinning, especially at home. Think DJ communism, with equal treatment for all the masses.," It’ rewarding for me to know that so many people are going off to underground music every Friday night across the country. Clubs like home and Renaissance have the best soundsystems and crowds in the UK, and the feeling you get from playing those nights is amazing".,Tuning into electronic music from an early age, Steve used to buy Depeche Mode records when he was young, so he obviously loved electronic sounds without even realising it. But it was acid house that really turned Steve on. Tuning avidly in to local pirate PCRL radio station gave Steve a taste for house music, and it wasn’t long before his mates were luring him off to warehouse parties.,“I was totally blown away by the whole experience: the dark room, the strobes and the atmosphere. The whole thing just blew me away and inspired me to do my own parties.”,Which is exactly what he did, putting on a series of illegal parties in a disused tunnel under the M42 between 1990-1994. “The last one was just amazing. We had Tony de Vit playing, and it had just grown from this small party to this huge thing – basically a rave. It was all about town the day before, people running around Birmingham going ‘The tunnel’ on, the tunnel’ on.’”,But it was in Ibiza that Lawler got his first true break. Having earned his Ibiza stripes – he’ been every year since 1990 through to 1997 it was finally Steve’ chance to prove himself as an accomplished DJ. He was a resident at Café Mambo, spinning his legendary 8 hour sets there every day, as well as playing three times a week at Pacha. It was then he was spotted by Darren Hughes, then of Cream, who recognised his talent and ambition to succeed. Signing him up to Cream’ DJing agency, he began a residency at the eponymous Liverpool institution. At only his second date at the club he had to follow Paul Oakenfold at their NYE party. Not an easy feat, but one which Lawler coped with admirably. The rest, as they say, is history…,It’ not all about DJing though. Lawler’ accomplished production, under the monikers of Novocane, Chameleon and, naturally, Steve Lawler, are currently causing mayhem amongst the likes of Tenaglia, Tong, Sasha, Digweed, Deep Dish, and Pete Heller. ‘Rise In’, his latest single, is a self-assured cut of heavy dancefloor pressure, which, as with all the best things, has simplicity as its key. Watch it drop on any dancefloor in the world and you realise that Lawler, in his production as much as his DJing, understands how to work a crowd. ‘Rise In’ is set for a September release, and if you’ve been near any of the coolest dance floors on the planet, you’ll have realised just how special the track is. The buzz around the tune has superceded any of this summer’ releases, and the Top 20 beckons. Who’d have thought proper house music would once again reach such heights? But then, as most of you know, Lawler is something very special.,“First and foremost I am a DJ,” explains Steve. “I am not making records for a career or the money, it’ just that I want to make my own version of sounds that would go down well in a club. When I make music I sit there and close my eyes and imagine being on a dancefloor, with the lights and the soundsytem. It’ hard to get right all the time, but I’m going to keep banging away at it until I do”.,Which is pretty much Steve Lawler for you. A hardworking Midlands lad who has never taken the easy path to success. From his mammoth sets at Space in Ibiza, or his tendency to re-edit half the tracks in his box, Steve certainly knows the meaning of graft:,“I do a lot of my own re-edits, because I get sent so many records where its all good and then some horrible break kicks in. So I just cut that bit out, get it on to CD and then go and get a slate cut. It’ the way forward. It means that a lot of records that people might have, I have my own versions of them. It makes it unique, which you have to do these days. There’ 1001 DJs out there. It’ probably one of the reasons why I have actually got somewhere… I do make the effort.”,Steve’ spun at every club in Ibiza, and every decent club in the world, and has stunned all detractors of the progressive sound. He was described in The Face as, “The UK’ Tenaglia”, and in Jockey Slut as “one of the best dj’ in the world”.,Steve Lawler: the pioneer of twisted house who loves a bit of hard work. If you were waiting for a change of musical tack, then follow Lawler’ lead. Don’t be left behind…

With several tracks to his name all made in the space of the last twelve months 2004 has been a massive year for Nick aka Sub Focus: the year has seen him breakthrough in unprecedented fashion armed with the likes of the technically astounding “Acid Test”, the simple yet devastatingly effective “Strobe”, the lively “Get on Up” and the altoghether awesome “X-Ray”. In a matter of months, he has gone from being one of many wannabe producers to become a permanent fixture of the award winning Ram Records family. Artists like Sub Focus are what “Best Breakthrough Producer” awards are made for.,Even though Nick has been obsessed with dance music, both its creation and its culture for a large chunk of his formative years, his first experience with making music came from playing bass in a rock band at school. However his involvement with the band didn’t last very long as on hearing dance music Nick was totally blown away by it’s diversity and the variety of sounds on offer. Consequently he decided that the tone of rock music didn’t satisfy as he felt it to be far too limited, in contrast Nick found the unlimited tonal possibilities of dance music to be extremely exciting. Particular music that got him hooked included; General Levy’s “Incredible” and most things from Prodigy’s early years.,Nick actually started making beats at the tender age of thirteen on an old Acorn computer, although to begin with he was just messing around he quickly found his passion and this light hearted hobby gradually became an obsession. It’s important to note that until recently Nick has been entirely self taught, his only aid coming from a whole host of software instruction manuals which he enjoyed reading from cover to cover.,Things didn’t really start to happen for him until last year when he made a conscious decision to take his production process extremely seriously. Nick enrolled in a renowned sound engineering course in London’s East End, where he found himself polishing up his self taught skills, whilst also going deeper into the realms of truly understanding the concept of sound.,Eventually Nick managed to make a few things that he felt proud of so he began to give out some CDs for his friends to listen to, only looking for a bit of feedback. However, a certain friend decided to take one of these “Don’t Play Them to Anyone Else” CDs and give one to award winning DJ and Ram Record’s label owner Andy C. On hearing the tracks Andy not only saw talent but he saw a release, within hours Nick had the phone call and within weeks Nick had his first release on Ram’s much respected sister imprint Frequency: a 12" featuring “Down the Drain” with “Hotline” on the flip.,With this new found confidence in mind; in recent months Nick went in the studio and rolled out three brilliant bits of production in quick succession. To Nick’s delight all of them got the stamp of approval; “Acid Test” and “Get On Up” will act as his follow up release on Frequency whilst his brilliant “Strobe” is to be included on Chapter Six of the Ram Raiders series on Ram Records. All the above tracks have been really well received by the scene’s top flight DJs but to Nick’s surprise press and radio have been in support too; they’ve all received regular airplay on both Grooverider’s BBC Radio 1 Drum & Bass show and Zane Lowe’s BBC Radio 1 prime time specialist show.,All that remains to be said is remember the name and watch this space.

After successfully infecting planet earth with the ‘Contagion’ album and world tour, Sub Zero Project takes on a new mission for 2020. Their brand new show ‘Rave Into Space’, takes you on a musical journey through the universe. Expect a psychedelic experience fueled by their signature, hard & experimental sound. A live act that will strike the visitors ears, eyes and body. Let’s light up the cosmos. Jump on board now and to RAVE INTO SPACE!

Surgeon has been at the forefront of UK techno since 1994.Surgeon

Through his recordings, epic-length DJ sets, dozens of commercial mix albums, and label operations, Sven Väth is one German trance and techno's most popular proponents. Originally the lead singer of a dance-pop group named OFF, Väth hit the big time in 1986 when OFF's "Electrica Salsa (Baba Baba)" became a number three pop hit in their native country. The band later disintegrated, leaving Väth free to pursue his interest in the hard trance underground of Frankfurt. An Accident in ParadiseVäth became a DJ of note for his marathon sets, which sometimes approached 24 hours, and his 1992 co-founding of Harthouse Records. His own releases on the label included those by Barbarella, Astral Pilot, and Metal Masters with the help of his partner, Ralf Hildenbeutel. Blessed with an agreement connecting Harthouse and its subsidiaries to the American major label Warner Bros., Väth released Accident in Paradise, again with contributions from Hildenbeutel, as his first solo album.

Swedish House Mafia is a house music supergroup featuring DJ/producers Axwell, Steve Angello, and Sebastian Ingrosso, each of whom was an accomplished DJ/producer and label owner in his own right. The members of the Swedish group initially teamed up in the mid-2000s, when they toured together as DJs and collaborated from time to time on one another's productions. Several years later, the trio signed a major-label recording contract with EMI (Astralwerks in the U.S.) and made their commercial production debut with the summer 2010 anthem "One". The song was a Top Ten hit in the United Kingdom, Sweden, the Netherlands, and Belgium, and landed on the group's debut album, 2010's Until One. Two years later the group members announced they were breaking up and returning to their solo careers. After reuniting at Ultra Music Festival 2018, the trio of Axwell, Ingrosso and Steve Angello re-established themselves as one of the most talked-about electronic acts in the world.

The Blaze are the French Paris-based music and video duo Guillaume and Jonathan Alric. The duo are cousins who are mostly known for their cinematographic videos.

The Martinez Brothers, two young men from the Bronx, raised on their father’s love of the Paradise Garage and road-tested worldwide before they even left high school, are emerging as leaders in the global house music scene. The guys have held a residen..The Martinez Brothers

DJ Tiësto, also known as Tijs Michiel Verwest, is a Dutch DJ and record producer from Breda, Netherlands. He is considered one of the pioneers of the trance music genre and is known for his live shows and remixes of popular songs. Tiësto began his career in the early 1990s and released his first solo album, "In My Memory," in 2001. He has since released several more albums and has performed at major music festivals around the world. He was voted the "world's No.1 DJ" by DJ Magazine in 2002, 2003 and 2004, and in 2013, he was voted "The Greatest DJ of All Time" by Mixmag.

Timothy Jude Smith, the Australian DJ, producer and musician better known as Timmy Trumpet has finally cracked the top ten in 2020’s Top 100 DJs poll. He's been on an upward trajectory for a few years now, steadily moving up each year from No.75 in 2016 to this year’s top ten rankings. In that time, he’s become infamous for his full-on, no-holds-barred performances, high-energy delivery and of course for his live trumpet skills – he’s actually an accomplished musician who has been playing his instrument since he was four and was Australian Young Musician of the Year at the age of 13.

̸BIOGRAPHY next stop Shell City

Time to down rulers and dump the rules about how to create, consume and categorize dance music. The beautifully blurred clarity of the Underworld playworld; germinated, perfected, dissected, stretched and re-pollinated over their ten-year reign as The..Underworld

There are DJs and then there’ Victor Calderone.,His name reverberates throughout the dance music community with excitement and anticipation. Calderone’ impact on dance floors worldwide is undisputed. He has skyrocketed to international “superstar” status with his innovative, tribal-inflected remixes of songs from some of the industry’ most successful artists like Madonna, Sting, Destiny’ Child, Mandalay, Garbage and Elton John. Victor has also had tremendous success with his own original productions. His 1996 single “Give It Up” was a #1 Billboard Dance Chart hit and it follow-up “Beat Me Harder” was equally successful.,Five years after the success of “Beat Me Harder,” Calderone is poised to be on top of the dance charts once again with his new original track, “Are You Satisfied?” with vocalist Deborah Cooper. It was Cooper, the former C&C Music Factory vocalist, who recorded the dance smash “Do It Properly” – the much anticipated collaboration between Victor and Peter Rauhofer (aka Club 69),Calderone’ long-awaited follow-up, E=VC2 VOLUME 2, is a record to be reckoned with. It is a deft, bruisingly thunderous fusion of soaring vocal anthems, hypnotic house tracks and a cavalcade of thunderous tribal beats. The flawlessly beat-mixed compilation is definitely not your run of the mill dance mix. Recorded live in the city that never sleeps, New York City, it is pure Victor Calderone. E=VC2 VOLUME 2 allows audiences from around the world a glimpse into the sonic frenzy that the DJ/producer/remixer extraordinaire creates every Saturday night.,However, Calderone’ meteoric rise to dance music “superstardom” did not happen overnight. It wasn’t until September of 1997 that Victor got one of his biggest breaks. He was invited by club-impresario Ingrid Casares of Miami’ hotspot Liquid to become their resident Saturday night DJ. The crowd response was so overwhelmingly positive that he was asked to come back to Manhattan to spin as the featured guest DJ at several nightclubs. The guest spot eventually lead him to a Saturday night residency at the famed New York City nightclub, The Roxy.

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade. The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas. Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

Lukas Ruiz, known as Vintage Culture, is a Brazilian DJ and producer. The Brazilian artist has more than 1.5B streams online, 8M across his social media platforms, and currently ranks at #30 in DJ Mag’s Top 100. Vintage Culture has graced the cover of Rolling Stone, was nominated as one of the most influential “30 Under 30” by Forbes, and premiere his very-first Essential Mix for Pete Tong on BBC Radio 1. In 2020, he collaborated with Tiësto, David Guetta, Meduza, Robin Schulz, and Jorja Smith, going Platinum on multiple releases, as well as topping the Billboard Hot Dance and Spotify Dance Charts. He simultaneously had 3 songs on Beatport's TOP 10, including the #1 Main Chart Overall with his debut single at Defected Records, “It Is What It Is.” Lukas has used his platform as an artist to raise over USD 100k via his Covid-19 relief project in Brazil. Also, he is the creative force and owner of the fast-growing international Festival and Fashion Brand Só Track Boa.

After meeting up in 2007, Willem van Hanegem and Ward van der Harst came together to form W&W and haven’t looked back since. The Dutch DJ and production duo have transcended the boundaries of genres and traversed the world with their globally acclaimed music and iconic live performances, becoming one of the most sought-after duos the world of electronic music has to offer.

Yousef proudly steps into 2017. With previous releases on Desolat, Bptich Control, Cocoon, Defected and Cecille, and new Yousef music signed and ready to be released this year on Crosstown Rebels, Knee Deep in Sound, Hot Creations, This & That as well as his own Circus Recordings. 2016 saw Yousef tackle remixes for The Glitz, Diego, Frank Storm and provide a powerful 'yousef circus rework' version of the legendary Chaka Khan. Yousef's legendary Circus event in his native Liverpool rolls into its 15th year, championing the finest in house & techno since day one, Circus embarks on its first worldwide tour with a staggering 15 events across the globe in 15 of the finest locations such as London, New York, LA, Sydney, Milan, Berlin, Paris and Barcelona With a total 15 completed dates in Ibiza during 2016 playing for the likes of Carl Cox at Space, Do Not Sleep at Space, ANTS at Ushuaia, Circo Loco at DC10 to hosting his own 10,000 capacity Circus arena at Parklife Festival in Manchester.