about
Tornado Wallace
First blowing a gale as a forerunner of the new wave of Melbourne dance producers, Tornado Wallace’s distinct and perceptive electronics now find him in a constant rotation of both hemispheres, spending most of the year based in Berlin.
From formative house beginnings, the ESP Institute initiation Thinking Allowed proved Tornado Wallace as a force to be reckoned with – the driving groove and Will Powers stargazing quickly matched by an EP of eco- electro burners on Beats In Space. This two timing continued for another round with ESP issuing the elegant Circadia, while Beats In Space got their churning acid two-tracker Kangaroo Ground/Ferntree Gully.
In tandem, krautback duo Coober Pedy University Band was formed with Otologic’s Tom Moore, who he’d previously stirred up trouble with as fractions of C Grade and Animals Dancing – two long standing parties of undeniable impact on their hometown. Their trance inducing debut on Soft Rocks’ imprint Kinfolk recruited vocals from a lesser known Chet Faker, followed by the bonkers 2014 anthem Kookabura.
After some time in between releases due to an increasingly busy DJ schedule, 2016 saw the release of a Tornado Wallace 12” on Second Circle, sister label to cult Amsterdam archivists Music From Memory, as well as his debut album Lonely Planet, which came out on Gerd Janson’s Running Back
Chingyi
Chingyi's unique sound is an ethereal blend of downtempo, electronica and techno, that creates a soundscape of inner colors and deep connection. Her music style evolved through her continuous self-discovery, culminating in multi-dimensional, psychedelic, yet rooted, bass-driven sounds.
Music Style:
Chingyi's sound is genre-defying, drawing influence from a range of styles including downtempo, techno, dub, and indie dance. Her music is characterized by its ability to create journeys that connect external perceptions with inner landscapes of mind and psyche. Chingyi' sees music as a tool for awareness that has the potential to generate positive change in oneself and the world.
Having hosted and played at dozens of festivals such as Interlude, Kiosky, New Wave, and played for local music collectives Y2K, Interlude, Omni, Pitch, Dimension 5, etc., Chingyi shares her passion for music with the community. Her radio sets “Digital Trip” and “Dualism” at FMBG have received recognition from music enthusiasts.
In addition, Chingyi has co-created embodied dance meditation events with collectives Mystic Disco and ReTribe. Through her music, a journey that allows for emotional expression unfolds into a deeper connection with oneself and others.
First blowing a gale as a forerunner of the new wave of Melbourne dance producers, Tornado Wallace’s distinct and perceptive electronics now find him in a constant rotation of both hemispheres, spending most of the year based in Berlin.
From formative house beginnings, the ESP Institute initiation Thinking Allowed proved Tornado Wallace as a force to be reckoned with – the driving groove and Will Powers stargazing quickly matched by an EP of eco- electro burners on Beats In Space. This two timing continued for another round with ESP issuing the elegant Circadia, while Beats In Space got their churning acid two-tracker Kangaroo Ground/Ferntree Gully.
In tandem, krautback duo Coober Pedy University Band was formed with Otologic’s Tom Moore, who he’d previously stirred up trouble with as fractions of C Grade and Animals Dancing – two long standing parties of undeniable impact on their hometown. Their trance inducing debut on Soft Rocks’ imprint Kinfolk recruited vocals from a lesser known Chet Faker, followed by the bonkers 2014 anthem Kookabura.
After some time in between releases due to an increasingly busy DJ schedule, 2016 saw the release of a Tornado Wallace 12” on Second Circle, sister label to cult Amsterdam archivists Music From Memory, as well as his debut album Lonely Planet, which came out on Gerd Janson’s Running Back
Chingyi
Chingyi's unique sound is an ethereal blend of downtempo, electronica and techno, that creates a soundscape of inner colors and deep connection. Her music style evolved through her continuous self-discovery, culminating in multi-dimensional, psychedelic, yet rooted, bass-driven sounds.
Music Style:
Chingyi's sound is genre-defying, drawing influence from a range of styles including downtempo, techno, dub, and indie dance. Her music is characterized by its ability to create journeys that connect external perceptions with inner landscapes of mind and psyche. Chingyi' sees music as a tool for awareness that has the potential to generate positive change in oneself and the world.
Having hosted and played at dozens of festivals such as Interlude, Kiosky, New Wave, and played for local music collectives Y2K, Interlude, Omni, Pitch, Dimension 5, etc., Chingyi shares her passion for music with the community. Her radio sets “Digital Trip” and “Dualism” at FMBG have received recognition from music enthusiasts.
In addition, Chingyi has co-created embodied dance meditation events with collectives Mystic Disco and ReTribe. Through her music, a journey that allows for emotional expression unfolds into a deeper connection with oneself and others.
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