Nanogram is the Hong Kong-based DJ project of Jason Ng. Since 2017, Nanogram has evolved through different genres ultimately finding his unique style of blending techno, industrial, and experimental electronic music. Heavily inspired by post-punk and industrial music culture, Nanogram has since determined to bring the dystopian sound to Hong Kong. Realizing the lack of well-tuned sound systems and a music-focused venue in Hong Kong, which limits the possibility of enjoying the far left segment of electronic music, Nanogram found a team of like-minded and driven individuals to build 宀 Club together and started his event series at the club – Entropy 熵, which emphasizes on experimentation on the art of selection, mixing and live performances. Nanogram is a resident DJ of 宀 Club and has performed alongside Phase Fatale, Mr. Ho, Sinus O, and more. He has also performed at a renowned experimental venue in Tokyo, KGR Tokyo, and has contributed a podcast mix to C-Kay’s Coma Hole series.

Arthur Bray is one of the Hong Kong/Shanghai/London-based collective Yeti Out, the 30-year-old has worn plenty of hats – model, DJ, editor… the list goes on. This flexibility is something he’s emphasised for Yeti Out, which started as a party-promoting music collective that has now branched out into everything from art shows, a record label and a creative agency. And of course, more parties. Well-known DJs on the Hong Kong and Shanghai party circuit, Arthur and his twin brother Tom are pushing the envelope for underground music in Asia. They’re helping genres such as grime, garage, Afrobeat, bass music, house and techno gain momentum in a city that’s probably better known for its EDM or pop-filled nightclubs than anything else. Right now, they’re setting their sights on local events such as Sonar and Art Basel in March, while concurrently working on an audiovisual set for their record label, Silk Road Sounds. Get to know Yeti Out here – and make sure to catch one of their crazy parties soon.

SUBEZ YETIis Hong Kong based DJ/selector and the founder of Mean Gurls Club & Co- Founder of THUR. - a party focused on pushing bass loving, dance heavy DJs regardless of gender roles. Her parties have headlined the likes of Fractal Fantasy's Sinjin Hawke & Zore Jone, Mixpak's Jubliee & The Large, Ratking's Sporting Life, Cyber 69, As one of international collective Yeti Out’s resident DJs, & Soho House resident DJs. Subez has shared/Opening stages with Nosaj Thing, Yaeji, SG Lewis, N.A.A.F.I, UNIIQU3, Bohan Phoenix, Benji B, HIMAKERCHINX an D33J, to name a few. In just a short amount of time her genre hopping sets, which include Global bass, Club, Ballroom, Jungle, Smooth R&B, Hip Hop to Dancehall, have taken her from Tokyo to Seoul, Bangkok and beyond!

Sunsiaré, birthed Jean-François Amadei, is no new face to the East-Asia scene. A figure whose tastes have manifested themselves by way of the Hanoi based Savage Club - whose early days saw a slew of talent pass through the Vietnamese capital and prompted a resurgence of local electronic artists. JF is a natural-born record digger, whose knowledge of what makes a dance floor move goes beyond the last decade and whose diverse collection begs for sonic exploration. Playing alongside such artists as Berghain’s Roi Perez, Boris & Barker, as well as DJ heavyweights like Gonno and Cormac, Amadei is not unfamiliar to the art of the mix. JF, whose hands are also behind the Homesick, FGHB, and the newly launched labels 宀, gave way to creative minds like Powder, Mr. Ho, Marquis Hawkes, General Ludd, and LPZ. Both labels, whose outlets were dedicated to timeless reworks, can be seen riddled with Jf’s influences. New pastures have led Jean-Francois to the recently minted Hong Kong-based 宀 club in 2018, in which he holds the utmost weight of talent buying for the club's weekly programming of European imports, as well as local Hong Kongese as well as regional artists and DJs alike. A pillar for Hong Kong underground nightlife and a staple for any debaucherous dancer seeking audial refuge while in the city, 宀 has quickly become a backbone to an ever-blossoming dance floor community flourishing out of Asia and away from the Euro-centric grip of Dance Music’s recent past.

Yao, pronounced (yow), marries moods and moments thru music. This multifaceted producer and DJ brings a wide sound and scope to the music he presents. Coming up DJing around the turn of the millennium in the Bay Area, the soul, hip hop, jazz, and electronic music of his record collection soon inspired him to making beats and producing. After releasing his maiden voyage, "Plantain is Public" in 2006 on the record label(Solos Records) that his friends DJ Enso and Roche began, Yao has since voyaged to close and far away lands encountering people and places that inspire him and his art. Original productions as well as remixes for the likes of NY band Lemonade, labelmate Bookworms, Lil Wayne, and Animal Collective draw from his creative vision as well as flashes of impulse. The finish of 2015 saw him release a 5-track EP, entitiled "Coconut Dreams" which was inspired by life & love in HK...

ADIPTA, ‘Autonomous Drone Insect Purge Them All’, an idea inspired by Netflix series Black Mirror. The idea of itself is just a heavy journey of seeking a peaceful world. As a DJ & promoter & Graphic designer, all the amazing THUR's flyers are done by himself, he believes everyone has the ability to make music. They just need support and guidance to discover what works best for them. held parties with different collectives to promote Hong Kong underground music.

Following a deep dive into trance around the turn of the millennium, AHPR initiated Field Records in 2008. Next to his curating efforts, he explores various musical territories in contemporary settings.

AngeliKa is active in the electronic music scene in Hong Kong, playing diverse genres ranging from deep house, and techno to jungle and DnB. AngeliKa is a Hong Kong-based DJ and co-founder of the local event label "Abyss". She is characterized by her versatile, hypnotic yet melodic soundscapes and pounding rhythms. Through music, AngeliKa wishes to take listeners on a journey into the unknown, to explore the peculiar and beautiful corners of their minds.

Raised in Paris Anyss is starting to make his mark in the Hong Kong underground music scene. An unwavering passion for electronic music has led him to explore a variety of sub-genres, from Italo-disco to EBM and techno emulating a style of music called Italo body music, synthesizer and rolling bass line including elements of early 90s Trance and Acid are mixed in this style for added flavours. The precision in his track selections creates a groovy and energetic dance floor experience.

Two unique minds crafting modern-day electronic hypnotism. At the root of Nick Lapien and Robin Koek’s Artefakt project is a shared love for melancholic, hypnotic voodoo music. Their sound is pensive with deep, rich textures; long track lengths—often six-minutes-plus—give the duo an expansive framework in which to make small changes of texture and tone, creating cerebral, balanced atmospheres that absorb and engage. “Sometimes we just take a short element, like the sound of a falling drop of water, and from this recording we extract the rhythm and use it as a starting point,” they say. “It’s a very organic way of creating new material.” After a period of self-reflection, the Dutch duo returned in 2019 to launch a label with a new EP. De Stijl serves as a platform for their musical explorations and those of their close friends. The imprint’s inaugural EP, Far and Wide, a lesson in dancefloor-ready techno that prioritises mood and melancholy, preceded Monsoon, Artefakt’s second album, this time on Svreca’s mighty Semantica Records. Across eight tracks, the duo evidenced an intrinsic understanding of rhythmic structures, confirming their status as one of the most singular and emotionally evocative acts in contemporary techno. As a live act, Lapien and Koek have performed all across Europe, North America, and Asia, their analog-heavy set a must-see for fans of melodic and deeply emotive techno. Drawing on their shared love for collecting records, they also perform as DJs, crafting long, hypnotic narratives laced with exclusive material and records from the expensive collections, old and new. Having first crosses paths at university, Lapien and Koek began making music together in 2012. Lapien, whose infectious, swinging house cuts have featured on Rekids, Soul People Music, and DVS1’s Mistress, was just beginning his career as a solo artist; while Koek, who designs his own artistic systems and teaches at dBs Music Berlin, had just earned a Master of Arts from Utrecht's School of Arts, specializing in Sound Design and Composition. After releasing two EPs on the legendary Dutch imprint Delsin Records, in 2017 Koek and Lapien presented their debut album, Kinship, cementing their nuanced, atmospheric style while showcasing its breadth. It was the first big step in their ongoing pursuit to adopt techno as an art-form rather than a genre.

Boris musical roots reach back to the mid 80s, when he lived in New York for four years where he absorbed the unique spirit of the seminal club Paradise Garage weekend after weekend. From the Club’s mentor Larry Levan Boris learned to believe in his musical intuition as well as a broad musical spectrum, which nowadays ranges from Disco, Hi-NRG, Post-Punk and (Kraut-) Rock to House and Techno, all of which Boris loves to throw into one set. „Music was most important for Levan. He was uncompromising and he knew how to convey it. That’s what I’m trying to achieve, too, when I’m djing.“

Hong Kong-based DJ and multimedia artist Busy Boi, has influenced by UK Underground and sound system culture, exploring the most unique selection. Except keep contributing in hometown, he was invited to spin in Taipei, Seoul, Thailand, and China. Busy Boi has attended and shared stage with Mars89’s China Tour last year, spread out the unique hardcore vibe. As a founder of THUR, keep creating different content of music culture and subculture, making contributions to the young generation.

Producer / DJ based in Tokyo C-KAY, a resident artist at Space Baghdad in Tokyo and Constant Value in Seoul, has released tracks on labels such as Constant Value, Modular Mind, Subsist Records, Mirae Arts, and We Build Machines. She has also performed live and Dj in various cities, including Seoul, China, Taiwan, Hong Kong, Bangkok, Paris, Berlin, Budapest, and others. 東京の"Space Baghdad"、ソウルの"Constant Value"のレジデント・アーティストであり、Constant Value、Modular Mind、Subsist Records、Mirae Arts、We Build Machinesといったレーベルからトラックをリリースしている。 また、ソウル、中国、台湾、香港、バンコク、パリ、ベルリン、ブダペストなど、多くの都市でライブやDjを行う。

̸BIOGRAPHY Comarobot [Volnost I GWI MYEON RECORDS] Comorobot is a founder of Volnost, a techno club located in Seoul, and has been working on the programs of venue with sustainable and talented local and international artists since 2017. He aims to create the dance floor of Volnost with it’s own identity in Seoul by combining techno music with diverse kinds of experimental electronic music. Crossing over the genres of music, his sole focus of directing the stage which could convey a pure expression of artist. Comarobot, as an artist, has been providing unexpected new experiences to listeners by playing informal sounds within diverse contexts. Inside of the floor, the listeners can feel like swimming in an undiscovered territory surrounded by sharp synth lines, dark ambient sounds and countless kick drums. While listening to his mix travels from deep techno to experimental and beyond that, you can feel the spirit of Volnost which embraces the boundless potentials of electronic music. 코마로봇은 2017년 서울의 테크노 클럽 볼노스트를 오픈한 이후 현재까지 지속적으로 발전 가능성이 있는 로컬 아티스트들과 해외 아티스트들과 함께 클럽의 프로그램들을 만들어내고 있다. 대중에게 상대적으로 접근성이 높은 테크노 장르 뿐 아니라 일반적으로 쉽게 경험하기 힘든 다양한 형태의 전자 음악들을 조합한 실험적 무대들도 자신만의 방법으로 재구성하면서 볼노스트만의 독특한 댄스 플로어를 구축해 나가고 있다. 그는 장르적 제한 없이 아티스트의 예술성이 더 본질적으로 표현될 수 있는 무대를 디렉팅한다. 코마로봇의 사운드는 하나의 틀 안에 종속되지 않고 다양한 형태의 공간 속에서 정형화되지 않은 음악을 통해 듣는 이로 하여금 예측되지 않은 새로운 경험을 자아내게 한다. 플로어 안으로 쏟아지는 날카로운 신스 라인들과 어두운 앰비언트 사운드들 그리고 셀 수 없이 나열되는 킥드럼 사운드들 안에서 리스너들은 새로운 공간을 유영하듯 탐험하는 경험을 하게된다. 딥테크노부터 익스페리멘탈 그리고 그 이상의 범위까지 자유롭게 오가며 만들어내는 그만의 믹스들을 들어보면 전자음악에 대한 포용도와 이해도를 기반으로 만들어진 볼노스트의 정신을 느낄 수 있다.

̸BIOGRAPHY Carve The Atoms From A Diamond "CTAFAD" is a music program. The first single "EP 1" by "Shanshui" issue, which is two tentative works, music is by the experimental psychedelic, rhythm and noise mixed. Most of the original sounds are not much modified, like atmospheric pressure-like pressure, ambitious ultrasound experiments. Eventually, an epic kernel sound field is revealed at the meticulous level. Rhythm bass line from the beginning to be proficient in interaction, gradually unfolded and never relax.

DJ Ditto is an HK-based Korean DJ who has been playing regularly at 宀 club, Eaton Radio, and at the radio station FMbelowground. She’s Deeply in love with ratchet / hardcore music and anime, especially Evangelion, but you will be surprised by the extent of her musical knowledge and her evergrowing ability to precisely control any room she plays in.

SLIMEFEST resident and co-founder, Hong Kongç Fry Up is a Hong Kong-based DJ and co-founder/resident of SLIMEFEST. He is best known for his blend of euphoria and catharsis, taking heavy influence from the prog-house, acid, and electro titans in Europe and sprinkling his findings around the HK underground circuit. The result of his time on the dancefloor is a set that never settles for one sound - as he strives to seamlessly weave through richly textured soundscapes. From downtempo to baile, electro to house; all while remaining both versatile and intentional - shifting from patience to eclecticism when the time is just right. In addition to SLIMEFEST, Fry Up has shared the decks with some of Hong Kong’s most exciting figures, including Busyboi, Casey Anderson, and TENG, as well as renowned international selectors such as Yung Singh (UK) and Hainafromchina (Normiecorp).

Born and raised in Hong Kong, JFÜNG started his journey in electronic music & djing in 2014, and after years of traveling around and exploring music selection & production, the underground scenes & music festivals from multiple cities like Los Angeles, Taipei, Shanghai, Amsterdam, Shenzhen, Hong Kong and more deeply influenced him. In the summer of 2021, JFÜNG curated DARK METAZ, an audio-visual-journey experience. This underground bass-music rave collective showcases talents with their darker sounds and visuals, including a resident radio show on FMBelowground. JFÜNG is obsessed with deep, dark, bass-heavy rhythms, and his live sets always take the listener on a journey of electronic music. In 2023, he was invited to play at Clockenflap, Omni Field & ShiFuMiz,. Dark Metaz was selected by artists like Hebbe (NL) & The Glitch Mob (US) as the official host & promoter for their Asia tour.

タイ、バンコクを拠点に活動するサウンドクリエーター。NYにてサウンドエンジニアリングを勉強後、93年にバンコクに移住する。97年に日本に帰国、NYの学校でクラスメートだったNumbに再会しRevirthに参加、2000年に12inchシングル"Hacked"をHanumand名義でリリースする。2003年に再度バンコクに移住し、SO::ON Dry FLOWERというレーベルを立ち上げ、若くて才能のあるローカルアーティストの作品のリリースやコンサートの主催などを定期的に行っている。また作曲家、サウン.. タイ、バンコクを拠点に活動するサウンドクリエーター。NYにてサウンドエンジニアリングを勉強後、93年にバンコクに移住する。97年に日本に帰国、NYの学校でクラスメートだったNumbに再会しRevirthに参加、2000年に12inchシングル"Hacked"をHanumand名義でリリースする。2003年に再度バンコクに移住し、SO::ON Dry FLOWERというレーベルを立ち上げ、若くて才能のあるローカルアーティストの作品のリリースやコンサートの主催などを定期的に行っている。また作曲家、サウンドデザイナーとしてPen-ek Ratanaruang、Apichatpong Weerasethakul、Aditya Assaratなどの映画作品に音を提供している。2008年にSOLというアートスペースをオープンし、若手アーティストの作品の展示やライブイベントなどを開催している。 https://www.facebook.com/kshimizuofficial

Kova O' Sarin has been in the music scene for more than 6 years. Back in university Kova O' Sarin used to organize parties with his friends. Since then he has started djing and even when his friends went back to their home countries and left him behind, he hasn't given up on what he really loves til this day. Kova O’ Sarin splashes the floor with a very detailed minimal house and techno and some other emotional melodic selection as well. He has joined many events such as Wonderfruit Festival, Tempo Live and OD – The Prodigy. Moreover, he played at many local clubs; such as Glow, Grease, and Dark Bar.

no elitism, no prejudices, no 4/4, no genre, hypnotic, tense, compre​hensib​le, a state of mind Whilst cap­ti­vat­ing audi­ences with music that is both intense and hyp­not­ic, Par­rish Smith embarks on a rather suc­cess­ful jour­ney of cre­at­ing spaces where walls are torn down and prej­u­dices are non-existent. Dur­ing this unique ven­ture into the broad spec­trum of elec­tron­i­ca, Smith is able to dis­play his take on var­i­ous lay­ers of elec­tron­ic music with extreme per­cep­tive subtlety. These uniques spaces cre­at­ed by Par­rish Smith are char­ac­ter­ized by his deter­mi­na­tion to design music that escapes the hold and bias­es found in con­tem­po­rary tech­no. His music enables you to think dif­fer­ent­ly whilst let­ting go of any nar­row-mind­ed and lim­it­ed perspectives. Emo­tion and inten­si­ty are the true pre­dom­i­nant fac­tors in Par­rish Smith’s music. These two cat­a­lysts come to fruition in, not only con­tem­po­rary tech­no but even enable Par­rish to maneu­ver him­self amongst dif­fer­ent styles of music. From film scor­ing to sound­tracks, Par­rish Smith rec­og­nizes that his strength comes from com­bin­ing emo­tion and inten­si­ty, thus result­ing in projects that are inspi­ra­tional in their truest form. Elit­ism is for the weak. It is para­mount that you always stay true to your­self and your music. Fol­low­ing these major mantras, Par­rish Smith rep­re­sents a beau­ti­ful and true exam­ple of the punk mentality.

̸BIOGRAPHY Sissy queer techno ̸SELECTED DISCOGRAPHY He Bleeds Stories EP - VRAAA Records Rituals 001 Compilation - Rituals Records

Samuel Kerridge, with his signature sonic arsenal, stands alone in the worlds of rhythm and noise. A singular artist, his music is to be appreciated on its own terms. British producer Samuel Kerridge has been carefully turning techno inside-out for over a decade. Taking a distinctly post-punk approach to the genre, he's become an integral part of Regis's legendary imprint Downwards alongside artists like British Murder Boys, Justin Broadrick and Veronica Vasicka. Kerridge has helped to define the label's contemporary sound: broken techno and snarling punk informed by industrial music and metal. He's released seven EPs and five albums (including a collaboration with Dva Damas's Taylor Burch) and his latest, Kick To Kill, has become something of a statement of intent, blossoming into a new label and event series with a focus that broadens beyond techno tracks into full-blown songwriting. Aside from his solo work, he collaborates with Oake in what he describes as the "power metal techno" duo UF and started his own guitar band, Death Disco, with Maxim "Panda" Barron. He ran the Berlin-based Contort label and party series and curated the legendary Berlin Atonal festival for three years, underlining his credentials as a stalwart figure in the world of experimental, boundary-pushing techno. He's also an accomplished live performer, most recently developing a hybrid live-DJ set that dismantles hundreds of tracks into a sampler to make new music in real time. It's an inventive process that places him in the lineage of groundbreaking techno acts like Richie Hawtin and Jeff Mills, while still carrying the flag for the darkest corners of underground electronic music.

As an Electronic music producer & DJ with a background of metalcore band musician, Taste of Blue is obsessed with music that contains high energy level and strong rhythmic. Driving by the influence of 90s’ Europe techno scene, T.O.B.’s style is a blend of dark, minimal, and industrial elements. He is constantly experimenting crossover between various music styles to make his music unconstrained by any particular genre. Presenting an irresistible journey that your parents don’t like.

̸BIOGRAPHY Unhuman is the Berlin-based electronic and experimental project of Manos Simotas. Unhuman is the Berlin-based electronic and experimental project of Manos Simotas. Started in 2012 in Athens with his first release "Emperor Black"on tape, Unhuman evolved through different genres ultimately finding his own unique voice in experimental and dark electronics. Keeping his root in post-punk, Unhuman released on labels such as Instruments Of Discipline, Veleno Viola, BITE, Amok Tapes and Strange Therapy. A regular mainstay of major clubs in Berlin, Unhuman has performed all around Europe, Asia and South America and holds the artist in residency at Constant Value in Seoul, South Korea. Unhuman is also the founder of Liber Null Berlin, which has played a critical role of unifying the freedom of arts in a conceptual event in the scene and also operates as a record label. Expanding beyond Berlin, Liber Null held events with performance arts and music all around the world including Athens, Paris, Tokyo, Seoul and beyond. ̸SELECTED DISCOGRAPHY http://www.discogs.com/artist/2781519-UnHuman-2

Just like chicken that is vegan, Vegan Chicken always looks for new combinations of sounds to create a unique sonic experience. From synth-infused 80s music, pop electronica to abstract experimental music, it's all about the groove and dance therapy for her audience.

DJ/producer, synth lover, record collector, multi-instrumentalist. Made in Hong Kong and dreaming of a 5D world. Known for meticulous sound design, dreamy chords and diverse track selection. Greatly influenced by jazz music and artists such as Larry Heard, Prodigy, Hiroshi Yoshimura, DMX Krew & Kraftwerk. Lover of anime, solarpunk, nature, N64 video games, nostalgic sounds from the 80's and enjoys making acid-driven breakbeat, electro and techno with a romantic flair. Previously played at Fabric London and Cafe D'Anvers Antwerp. Currently a resident at Hong Kong's 宀 Club. Recently released debut EP on Mihn label, with upcoming releases on 20/20 Vision "Exit Planet Earth" (Mr. Ho, Carl Finlow, Plant43), Huntleys + Palmers & Klasse Wrecks.

The duo creates a deeply immersive atmosphere, and is abundantly vigorous to keep dancers on their toes and moving from the night’s darkest corners to the dawn of day. Years of Denial is the project of French musician Jerome Tcherneyan, in former times drummer of cult British band Piano Magic and music producer since 1997, and Czech performance & music artist, songwriter, and poet Barkosina Hanusova. Active since 2016, the duo has become known across the globe for their well-crafted sharp productions and electrifying live performances. Utilizing hardware and a plethora of dub devices combined with Barkosina’s unmistakable vocals, the pair revisit the dark corners of post-punk, goth, new beat, EBM, industrial, and rave culture. Their live shows inject rhythmic beats and pulsating arpeggios with heavy electronics fused with a spacey psychedelic sonic treatment. The duo operates on the dance floor with a powerful performative representation creating an excursive, unforgettable experience. Well known for their fruitful discography, much of which is created inside the infamous Ark of Noise studios, the project's prolific output includes a variety of releases on Death & Leisure, Pinkman, and Khemia, to name a few, not to mention the front-runner 2xLP Suicide Disco (Veyl 2019), an extraordinary offering that set fire to dance floors everywhere and is also the name the duo coined to describe their sound. The release spawned a massive remix EP featuring reworks from Silent Servant, Orphx, Broken English Club and Alexey Volkov. In 2023 YOD will release Suicide Disco II (Veyl), a triumphant return, elevating their distinct sound and delivering 12 all-new tracks, which will also return them to the live stage to continue to captivate and further build on the project’s form and legacy. Worldwide Bookings- antonia@altaragency.com